I Found Puppets Living In My Apartment Walls by Ben Farthing

Ben Farthing manages to take a premise that seems like it should be a made-for-children horror story and successfully translates it into something disturbing and disorienting to adult readers. The most impressive aspect is that he does so quite flawlessly.

When two cousins begin the process of preparing to clean out the apartment of their missing–and presumed dead–grandfather, they’re taken down memory lane in a way that neither of them could have anticipated. Their grandfather had been one-half of the puppeteering team behind a giant puppet on R-City Street (think Sesame Street), and the individual who supplied voices for some of the most well-known puppets on the popular children’s show. The apartment is part of the converted studio where the show had been taped, before being canceled under mysterious circumstances, and there are secrets hidden within the walls.

As the two cousins find themselves traversing a labyrinthine nightmare crafted from their childhood memories, they’re forced to question the nature of reality, the danger of nostalgia, and who or what they can trust.

This is an excellent tale, told by a fantastic storyteller.

This title can also be located at http://www.godless.com via the following link:

A Bouquet Of Viscera by Bridgett Nelson

The bouquet Bridgett Nelson presents us with is indeed as visceral as the title implies. Eight stories unfold like the petals of carnivorous flowers, a cruel beauty on display no matter where you happen to look. It’s no wonder this collection was the 2023 Splatterpunk Award winning single-author collection, nor is it any surprise that “Jinx” was the winning short story. Both the collection itself and that particular story have a certain feel about them that seeps under the skin of the reader and makes us feel discomfort that only arises from exposure to something heartbreaking and…well…visceral.

There’s something here for everyone, assuming you enjoy your horror to feel intensely personal. Even when there’s a sea monster involved, it’s difficult to distance yourself enough to remember that it’s fiction you’re reading and that no one was harmed in the making of this book…though the same can hardly be said about the reading of it. If it doesn’t hurt, you’re hardly human. These are stories meant to hurt you and leave behind scars that remind you of the all-too-real abuses that pepper these pages. These may not be real victims, but the things that happen to them are far too often quite real.

I found it was best to read each story with a period of digestion between, allowing myself to really think about what I’d read and how it made me feel. This collection, though only eight stories, is a marathon…not a sprint…and it’s a marathon through a gauntlet that will leave the reader forever impacted.

https://a.co/d/i2tr59C

The Last Haunt by Max Booth III

If you’re familiar with horror, chances are you’re familiar with a certain infamous “haunted house” that claims to offer a large cash prize for anyone who can survive the experience without breaking certain rules. You’re also familiar, I suspect, with the reality that this is not a haunted house by any stretch of the imagination, but rather a torture porn extravaganza during which the participants are beaten, battered, bruised, and otherwise abused.

This is precisely the sort of environment at the core of Max Booth III’s THE LAST HAUNT.

A young boy, fixated on horror and the discomfort of others, grows into a man who takes that obsession and runs with it, transforming his own property into a grueling boot camp designed for the purpose of torturing and horrifying anyone foolish enough to sign the daunting contract required for admission.

When everything goes wrong one Halloween night, that barrage of cruelty leads to the death of a participant…an event that ultimately leads to far more death and a revenge that’s either supernatural or the product of a severely damaged psyche and a feverish imagination—that’s up to you to decide.

Related in a pseudo-epistolary method, the story is revealed through interviews with people close to the events that took place.

Readers are likely to recognize some familiar names throughout the novella, particularly those who are fans of indie horror.

The Grand Hotel by Scott Kenemore, Narrated by Christian Rummel

Scott Kenemore’s The Grand Hotel takes us on a tour that leads us from one tragic tale of horror to another, each with its nuanced cast of characters and captivating narrative. As the sinister desk clerk guides the tour group through the halls of the hotel, he also nudges us from one long-term guest’s fantastic and unbelievable story to another. Reminiscent of Tales from the Crypt, if the Cryptkeeper were more somber and the crypt was a massive antiquated hotel, there’s a hidden truth embedded within each new story.
When the tour group finds their way into the seemingly abandoned hotel, they’re shocked to be greeted by a peculiar and chilling night clerk welcoming them to The Grand Hotel. More shocking is the tour of the ancient building, the introduction to various residents and employees, and the stories he prompts them to share with the unwitting guests.
Kenemore’s gradual revelation of the truth behind the hotel and its temperamental host is delivered smoothly, without coming across as forced or spoon-fed to the reader. Each of the individual tales incorporated into the overall narrative is distinctly voiced and unique from the others, making it feel all the more authentic. With the tour group, we get to experience tales of police detectives tormented by a haunted house, the tragic first manned mission to Mars, a naive dance student’s first experience with love and betrayal, and so much more.
Christian Rummel’s narration perfectly suits the voice of our host while also conveying the necessary separation for the other characters in the book. Upon completion, I’m not sure I could imagine a different voice for Vic.

Travel By Bullet by John Scalzi, Narrated by Zachary Quinto

Travel By Bullet returns fans to John Scalzi’s The Dispatcher series following a pandemic that isn’t altogether too dissimilar to the one we’ve experienced in the real world. Unlike the real world, Tony Valdez and other dispatchers like him have had more work than they can handle, as grieving families insist on postponing the inevitable for loved ones hooked up to machines. Unfortunately, resetting only goes so far, and it won’t repair the damage done by the sickness itself. It’s a bleak and depressing scenario we find ourselves experiencing through Tony’s perspective.
When a friend is rushed to the hospital, begging Tony to let him die, it triggers a series of events that brings Tony to the attention of wealthy and powerful figures with secrets they’ll do anything to keep under wraps.
This installment continues Scalzi’s trend of combining the alternate reality science fiction of The Dispatcher series with an old-fashioned dose of noir that blends perfectly. The overarching mystery is satisfying and sufficiently convoluted, especially impressive considering the relatively short length of the story.
I particularly liked the concept behind the title of this installment of the series. The premise of utilizing the reset in that way seems both obvious and strangely horrific.
As with the previous two volumes, Zachary Quinto’s narration is superb, lending Tony a uniquely nuanced personality and bringing the other characters (many familiar faces from previous glimpses into the world of The Dispatcher) to life. I hope that Scalzi continues writing these tales and that Quinto continues narrating them because, like Scalzi’s seamless combination of genres, it’s a perfect blend.

Ghostland by Duncan Ralston, Narrated by Joe Hempel

Duncan Ralston’s Ghostland seamlessly blends elements of 13 Ghosts (or the more high-tech remake, Thirteen Ghosts), Jurassic Park, and The Matrix into a thrill ride of a story. Thankfully, it’s marginally less exciting than the Ghostland attraction itself. Otherwise, Ralston would be responsible for a lot of carnage.
Something Ben Laramie catches a glimpse of when he witnesses his favorite author’s house inexplicably transported through town is enough to stop the young boy’s heart. It can’t possibly be Rex Garrote standing in the window and seemingly staring back at him because Rex Garrote has been dead longer than Ben’s been alive. But as the world will learn over the following years, death isn’t quite the conclusion most people believe.
On the opening day of the Ghostland theme park, Ben manages to recruit his former best friend Lillian and her therapist to join him as he enters the park on a mission they know nothing of. Since his heart attack, Ben has set his sights on one objective, and it’s one he’s willing to sacrifice himself to accomplish.
What starts as a coming-of-age reflection on mortality rapidly transforms into a harrowing and violent struggle for survival amid the exploration of the most haunted places in the world all in one place. Ralston paces everything perfectly, never wasting a beat as he drags us along with Ben and Lillian through a gauntlet that only the luckiest can hope to escape. As he leads us to a conclusion that is both satisfying and open-ended for the sequels, the author displays keen storytelling instincts that should impress anyone daring enough to enter Ghostland.
Joe Hempel is always a thoroughly competent and capable narrator, and his performance for the Ghostland audiobook is no exception.

Breach by Candace Nola, Narrated by Jessica McEvoy

Candace Nola’s Breach drags us along with Laraya Jamison into a disorienting and terrifying battle for survival in a world alien from our own. The gradual revelation of a world that feels as fantastic and dreamlike as it is sinister and dangerous is a thrilling adventure for readers/listeners, even as beleaguered Laraya struggles to learn the rules of this new world and means to find her way home.
A camping trip with her boyfriend and two closest friends descends into a violent and horrific disaster as a creature defying comprehension slaughters the others, forcing Laraya into an exhausting race for her life through a forest that transitions into something unfamiliar. Growing up in these woods, she knows she’s far from home, but Laraya has no idea how she arrived in this strange place or how to return to the world she knows.
Laraya’s journey of discovery through this new world is equal parts fantasy and horror. The true journey is of self-discovery as she learns of her connection to this realm and the extraordinary allies in her battle against monstrous beings who seek to destroy her or follow her through the breach and back to our world.
Jessica McEvoy’s narration brings Laraya to life, filling the character’s account of events with emotion that conveys the harrowing nature of her experiences.

Impact Winter by Travis Beacham

Impact Winter is less of an audiobook than an homage to old-school radio dramas. Travis Beacham, along with a full cast of magnificent voice actors, a collection of sound technicians and foley artists, and a vast array of supporters (including the illustrious Robert Kirkman), brings to life a vampire tale that is both original and rooted in well-established mythology.
When an asteroid impact devastates the world and plunges everything into darkness and storms, creatures that had hidden in the night are free to wreak havoc upon the human survivors. Hunted, and forced into hiding, sisters Darcy and Hope Dunraven find refuge with a band of refugees in an old military installation beneath a castle-turned-museum.
As hopeless as humanity’s future might appear, a glimmer of salvation may be on the horizon. But what sacrifices will be required in pursuit of that new day?
The story that unfolds through the twelve episodes of Impact Winter is a thrilling one populated by characters who defy generic templates and archetypes. It’s a shame that it has to end, though there’s more than enough left in the air for listeners to hope for a second season.
The voice talent of performers like Holliday Grainger, Esme Creed-Miles, Himesh Patel, David Gyasi, Caroline Ford, Indira Varma, Bella Ramsey, and Liam Cunningham has a lot to do with the compelling and captivating nature of Impact Winter. An excellent script only goes so far, and it takes the talent of people like those involved with this project to elevate it to the next level.

Between Two Fires by Christopher Buehlman, Narrated by Steve West

Christopher Buehlman’s Between Two Fires transports readers to the region now known as France during the peak of the Black Death. The world was ending. Sickness had emptied whole villages, leaving nothing behind but decaying remnants and ghosts that haunted the vacant homes. The survivors, few and far between, were living through horrors no one had ever seen. Amid this nightmare of disease and human predation, a war unlike any witnessed on Earth was taking place. This tableau of terror, both human and spiritual, is the world Buehlman brings to life.
When Thomas, a crude and disgraced knight, takes it upon himself to shelter and protect a young girl–who knows things she should not know and sees things others cannot see–he knows he’s set himself on a path that might end in tragedy. But nothing can prepare him for the madness and cruelty awaiting them on their journey to Avignon.
The boundaries of reality are repeatedly blurred throughout the narrative, forcing the reader to question–as Thomas does–whether he’s awake or dreaming. The dead haunt the living, tormenting them with cruel assertions and distorted recollections of the past. Ghosts appear and disappear, leaving us to wonder which of these apparitions are truly beyond the veil, and which are drawn from the memories of Thomas and the weary priest who joins him on his quest.
Will the trio arrive where they intend, or will the gates of Hell await them instead. Is there a difference?
Steve West narrated this audiobook almost perfectly. The delivery of dialogue and narrative components were both handled with great attention to detail. The narration was almost as gripping as the story itself.

Something Akin To Revulsion by Judith Sonnet

Judith Sonnet takes a hammer and chisel to our sensibilities and good taste with her collection, Something Akin To Revulsion: Six Extreme Short Stories. There is nothing safe, nothing sacrosanct, and nothing off-limits within these pages–and that’s how it should be.
It was my pleasure to be one of the first to experience LOLCOW, the story that starts this particular collection. Judith’s rendition of this grotesque and graphic tale was the winning performance of the 2022 KillerCon Gross-Out Contest, and with good reason. Plumbing the depths of the internet for hilarious, perverse, and captivating content might provide more stimulation than one is prepared to experience. But like the narrator of LOLCOW, we can’t help ourselves as we return to the trough.
Liquid Sick suitably tackles the TERF epidemic, showcasing for readers that those people spend too much time spewing excrement and too little time on empathy. Judith’s own trans experience influences and informs this narrative, and she does an excellent job of providing both amusement and poignant social commentary. Also, apropos of nothing…fecal emesis has always fascinated me.
Sonnet’s next story, Rehearsal, provides a grim and unrelenting glimpse into the hours before a school shooting transpires. Kids who did nothing wrong find themselves prey to the whims of cruel and maladjusted classmates with pizza cutters to grind.
Body-Crunch takes us to the dimly lit, poorly constructed ring of a backyard wrestling match that goes horrifically wrong. It’s not every day one almost feels bad for a pedophile, but it’s hard not to feel some faint stirring of sympathy as everything comes crashing down–and spilling out.
In Coke-Nail, a group of bored, slacker teenagers decide they know where they might be able to score some cocaine. The deal doesn’t work out as planned, but one of them still manages to reach a state sort of like snowblindness.
Finally, we have Something Akin To Revulsion, wherein some truly awful preadolescent girls decide they’re going to play a prank on the dumpy, less popular girl in their class. The conclusion might have you in stitches, though, so it’s worth sitting through the horror.
Sonnet’s collection is as gripping as it is bleak and nihilistic, and it’s got those traits in spades. Her story notes clarify the inspiration and motivation behind each of the inclusions, and it’s always a pleasure to spend a little time getting to know the author after finishing something that’s hollowed you out like this collection is sure to do.