
Things haven’t been going well for Ross Lowry. He’s lost his engineering job and struggled to find a new source of income. His troubles are essentially ignored by members of his family, many of whom had no difficulty accepting his assistance when he was in the position to offer it.
All of that begins to change when his cousin, Lita, and her husband, Dave, invite Ross to spend some time at their ranch in the isolated, small town of Magdelena, AZ. There’s something about the peace of being there that makes him feel like he can take them up on their offer of staying for an extended period. It seems like an excellent opportunity. Ross figures that he can sublet his place in California while assisting Dave and Lita around the ranch and continuing his online job search.
Everything seems fine at first. But during the New Years’ celebration at Cameron Holtz’s ranch, when the celebrants fire their guns into the sky, something other than spent ammunition comes falling down.
From that point on, everything begins to change.
Animals begin dying. Those that don’t die, begin undergoing strange and unsettling transformations, both physical and behavioral. It isn’t just the animals, though, as the residents of Magdelena change as well. The status quo shifts in unpredictable manners as fortunes and positions within the community go topsy turvy.
Will Ross and his small group of friends and family be able to figure out what’s going on before it’s too late for them to avoid a fate similar to seemingly everyone else? What is the monstrous thing being worshipped on Cameron Holtz’s ranch, and is it something worthy of adoration?
While this isn’t the best of Bentley Little’s work, it is as deeply unsettling and imaginative as anything else he’s written. Elements of body horror and psychological horror meld perfectly with supernatural and spiritual elements to create a narrative that demands the reader/listener not turn away.
Joe Barrett’s narration captures the confusion and desperation Ross and the others experience as the story grows progressively more disturbing and unreal. The characters are distinctly voiced and three-dimensional.