The Hollow Places by T. Kingfisher, Narrated by Hillary Huber

Liminal spaces get under our skin in a way that’s difficult to explain–both captivating and unsettling. Those are perhaps the best ways to describe T. Kingfisher’s The Hollow Places as well…the book is both captivating and unsettling–but in the best ways.

Kara’s life didn’t turn out quite the way she expected. Freshly divorced from a husband who left more than a little bit to be desired, she finds herself moving into the apartment owned by her eccentric and doting uncle, in the same building as his museum of curiosities–mostly containing items of questionable authenticity and taxidermy specimens of equally questionable taste and quality. When she discovers a hole in the wall, Kara has no way of preparing for what she discovers on the other side.

With the assistance of her friend and trusty barista, Kara explores the concrete bunker that exists in a space that can’t exist within the walls of her building, only to find a whole new world awaiting her. But this new world is a dangerous place filled with threats–both seen and unseen. Navigating the treacherous–and seemingly endless–series of small islands rising from a shallow river, Kara and Simon soon fear they may be lost. Lost, but not alone.

Will they find their way home?

If they find their way home, will something else pass through into our world?

You’ll have to read it to find out.

The Hollow Places is a stirring adventure into the unknown, leaving us with so many questions for which there are sure to be no answers…but satisfying our curiosity just the same.

The narration from Hillary Huber is spot-on, capturing the exasperated and sarcastic nature of Kara’s character, the kindly qualities of her loving uncle, and the peculiarly out-of-his-depth Simon about as perfectly as one could hope.

Ocean Grave by Matt Serafini narrated by Sean Duregger

Matt Serafini’s Ocean Grave is a much larger story than I could have anticipated. When I say it’s larger, I don’t mean in page-count or anything, but rather all of the elements involved in the narrative. There is a lot more to this story than it seems like there could be, and somehow it still works. It manages to add some social commentary into the mix as well, as the best fiction usually does…involving international relations, the Western world’s obsession with a sanitized tourism-focused exploration of untamed locales, and the widespread impact of poverty in third-world nations.
This book has something for anyone who enjoys adventure…a honeymoon retreat plagued by secrets, treasure hunting, pirates, soldiers of fortune, a centuries-old mystery, inhuman creatures, and a seemingly unstoppable sea monster. Even with all of these elements, Ocean Grave never feels particularly disjointed or difficult to follow.
One thing I will say is that, if you get to know a character within this narrative, you can expect them to have a 70/30 chance of dying before the tale is complete…and it won’t be some noble, glorious death. This story is real-to-life, in that the characters aren’t unnaturally lucky or imbued with the almost superhuman ability to survive the impossible conditions they face. Like those of us in the real world, most people don’t survive extreme situations involving modern-day pirates and warlords…and when you add in a monster lurking in the ocean depths, no one walks away unscathed.
The narration from Sean Duregger is clear and professional. He does an excellent job of providing characters with distinct voices and accents (where appropriate).
One bit of warning, if you, like me, get tired of hearing the term “CIA spook” over and over again during one of the earliest chapters of the book, don’t worry…that repetitive nature doesn’t persist through the rest of the story. It took me a lot longer to finish listening to this audiobook because I stopped it near the end of that particular chapter precisely because that repetitive terminology was driving me mad. I wish I’d just powered through it because the story is excellent after that.