Yeshua and Adonai

On November 26th of 2020, I released the short story, Yeshua and Adonai.

Meant to supplement some of my other work by laying out the groundwork for some of the underlying mythology within books like You Will Be Consumed and Beneath the Unspoiled Wilderness.

A father shares a story with his young children, one that had been shared with him by his own grandfather. A story of Yeshua as both a boy and a young man, of how he discovered an unexpected and unwanted destiny placed on his shoulders by Adonai.
The short story, Yeshua and Adonai, introduces readers to the wider literary universe of The Hungering Void by retelling the tale of Jesus in a horrifying new light.

Hank Flynn by Candace Nola, Narrated by Jamison Walker

When Hank Flynn stumbles onto the site of what will soon become Protection, Kansas, it’s immediately apparent to Wallace Bixby and his daughter, Josie, that there’s something special about this grievously injured man. Nursed back to health, Hank settles in and becomes a member of the growing community as long as God will allow it.
Protection is aptly named, with Hank Flynn around, because there’s no threat that Hank won’t combat to keep the people of his home safe, whether marauder, drought, or worse. It soon becomes clear that “worse” is going to be the case more often than not, as strange and evil forces align to seek out Hank where he’s found peace. But Hank is a man of many skills and a haunted past that propels him forward as he does God’s will wherever he’s called to do so. The malevolent beings that hunt him down would be wise to avoid Protection, Kansas because Hank is no stranger to raising Cain when the situation merits it.
Candace Nola has written a spiritual horror stand-in for Little House On the Prairie, punctuating the prosaic struggles of frontier life with body and soul battles against the denizens of Hell. It’s a little bit Kung Fu (the 1970s television series) and a little bit Supernatural all rolled into one captivating package.
The narration provided by Jamison Walker is dramatic, and the voices of the assorted characters are distinctly their own. I’d never encountered his narration with previous audiobook titles, so I’m not sure if this title is representative of his other work, but it was suitable for this book.