Recursion by Blake Crouch, Narrated by Jon Lindstrom & Abby Craden

Blake Crouch guides us through a narrative full of twists and turns, switchbacks, and–well, obviously–recursions, as he tackles the well-trod ground of time travel, bringing a fresh new spin to the topic. False Memory Syndrome is becoming a plague, as people find themselves suddenly–and seemingly at random–overwhelmed by new memories of a life that wasn’t the one they’d been leading up until that moment. These memories are as vibrant and real as the ones they’d had access to only seconds earlier, and the confusion and contradiction are enough to drive people mad.

One detective’s obsession with the often disastrous impact of these false memories and the unknown vector by which the mental illness is transmitted leads him to an inevitable meeting with a research scientist focused on salvaging memories for those suffering from dementia, as she hopes to ease the horror of that debilitating condition. Unfortunately, a wealthy and powerful benefactor with seemingly unlimited capacity to predict market trends and so much more has his own goals for the technology, and he’s seemingly two steps ahead of both of them.

Crouch takes us from the seemingly innocent and altruistic beginning to the cataclysmic end, as the truth–and reality itself–becomes a tangled mess of interwoven timelines. At once thrilling and depressing in the way it captures the worst of human nature, this is a must-read.

The narration provided by Jon Lindstrom and Abby Craden is fantastic, and they thoroughly capture the characters and bring the listener into the story.

Summer Frost by Blake Crouch: Narrated by Rosa Salazar

Summer Frost is not treading entirely new ground, building up to a predictable outcome as it does…but it’s not the novelty of the tale that makes it worthy, it’s the quality of the storyteller. Blake Crouch is quite the storyteller.
Riley makes for a captivating protagonist as she works to assist the world’s first truly emergent intelligence reach and further maximize its potential. It’s appropriate, in a sense, that the AI’s name is Max (short for Maxine, the NPC within a VR game, the AI unexpectedly grew from).
It’s a sad tale of being too close to a problem to see that there’s a problem at all. In this case, the problem is that Riley has projected altogether too many human characteristics onto something that is far beyond human. Blinded by an affection that falls somewhere into a nebulous space of mother and child…or lover and object of obsession. We are helpless to do anything, hoping that we’re wrong, as the story races to the inevitable conclusion…but knowing, deep inside that there’s no other conclusion available.
The narration from Rosa Salazar is as spectacular as most of the narration has been for the installments of the Forward Collection. She lulls us into a sense of near-complacency that allows us to feel almost as taken off-guard as Riley ultimately is.