Horrorstor by Grady Hendrix, Narrated by Tai Sammons & Bronson Pinchot

It’s not a popular opinion within the horror community, but I have not been a fan of Grady Hendrix. His writing is top-tier, and the concepts behind his work have always been compelling, but there’s something in the execution that’s never worked for me in the past. I’ve seen the rave reviews of books like My Best Friend’s Exorcism and The Final Girl Support Group, and I’ve gone into them hopeful…only to feel disappointed. I wanted to like them. Something about the characters and the pacing always left the stories lacking.

And then I took a chance on Horrorstor.

This was what I was hoping to find. The other Hendrix books didn’t do it for me, but this one contained the perfect blend of wry humor and sincere horror. The characters didn’t irritate me, the pacing felt simultaneously practiced and natural, and the story itself was fascinating.

If you’ve spent any time shopping at IKEA, you’re familiar with the planned layout that’s guaranteed to draw you deeper into the store before you ever have a chance to find an exit. The way out is through, but it’s a long way through. This is precisely the dynamic ORSK has implemented in its shameless attempt to copy the already established IKEA. And that makes it all the more difficult for employees to figure out how or why things are being damaged, defiled, and destroyed overnight. And, what’s worse, sales are down.

Could someone be breaking in? Or is this a case of someone phrogging in the establishment? That’s what the manager hopes to find out when he enlists two of his employees to spend the night there with him, as they prepare for a visit from corporate headquarters.

Unfortunately, the truth is far worse and infinitely more difficult to understand. Will any of the employees survive the night, or will they get lost in the labyrinth?

There’s a lot to unpack, from the scathing indictment of consumerism and the mindless drive to shop and spend that’s promoted and encouraged by the corporations hoping to pad the bottom line to the predatory conditions at-will employees are subject to, simply to keep the lights on. Hendrix imbues this story with plenty of social commentary.

The chapter breaks–with their increasingly sinister product descriptions–were one of the best things Hendrix could have added, making the whole experience that much more entertaining.

Tai Sammons’s narration of the main story was fantastic, and Bronson Pinchot’s delivery of the product advertisements separating the chapters was a masterful stroke of brilliance.

Aliens: Infiltrator by Weston Ochse, Narrated by Bronson Pinchot

I don’t know when–or even if–I’ll have a chance to play Aliens: Fireteam, but listening to the audiobook for Weston Ochse’s Aliens: Infiltrator certainly sets the stage for a fascinating and original action/horror gaming experience. If I never get around to playing the game, it won’t be for lack of interest, and it certainly won’t be due to this book disappointing me.
The protagonist, Dr. Hoenikker, serves as a cipher of sorts, the lens through which we experience the introduction to the Weyland-Yutani scientific facility. While there’s ample character development across the board, Hoenikker being the newest member of the scientific team provides us with a great opportunity to experience everything through a fresh set of eyes. With his military experience, Ochse does a fantastic job bringing the supporting cast of characters to life, particularly the former Colonial Marines on staff at Pala Station.
With Murphy’s Law in full effect, Dr. Hoenikker joins the crew of Pala Station just as an infiltrator begins a campaign of corporate espionage. As with the real world, this relatively small trouble of spying and theft escalates in a cascade effect that explodes into an utter nightmare by the conclusion. Laboratory experiments go horribly wrong, communication breaks down, and everything falls apart.
Experimenting with what we’ve come to think of as the black goo from the Alien prequel films from Ridley Scott, we encounter some interesting and dangerous creatures produced from the local fauna, potentially more deadly than the Xenomorphs we’ve all come to know and love. This being an Alien novel, of course, there are Xenomorphs in the mix, and we get further exposure to how the black goo can modify the outcome of the genesis taking place.
Bronson Pinchot’s narration is sufficiently skilled that the characters almost always sound distinctly separate and discernable as individual actors in the narrative playing out. I especially enjoyed the performance for Rawlings, who I couldn’t help but picture as an African American Matthew McConaughey. The only instances where Pinchot’s narration failed was concerning female characters, but I’ve heard worse over time.