This Is Where We Talk Things Out by Caitlin Marceau

Caitlin Marceau’s This Is Where We Talk Things Out is haunting. That’s the best word I can think of…haunting.

We know where it’s going as we read along. We predict the next twist or turn ahead of Miller as the narrative progresses, but that predictability of outcome does nothing to extract the thrill and terror from the story unfolding before us. We silently scream at the deaf page as we beg Miller to do something differently…anything differently. All that’s left for us to guess at is the final act, how it will all turn out…and we dread that it will go poorly for Miller, we hope for a happy ending.

The relationship between Sylvie and her daughter isn’t an uncommon one, but that sad reality only makes the story feel more real and serves to hammer home the impact of each new horror awaiting us.

When Miller joins her estranged mother for a weekend of reconnection and patching things up, it’s against the advisement of her partner–and against the wishes of the reader, helpless to do anything but bear silent witness. Miller, like so many children of abusive parents, feels like she’s somehow responsible for everything that’s gone wrong, and as if it’s up to her to suffer through the ordeal and give her mother a fair chance. The sheer number of red flags Miller disregards along the way is staggering–but also far too true-to-life–as her mother gaslights her and plays the victim in their every exchange.

You will see where this is going, but you will continue reading all the way to the end…willingly traumatizing yourself every step of the way. Caitlin Marceau is a voice in indie horror to look out for because she’s got a voice that will bring you pain.

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Platinum Blondes: INXS by Todd Love

INXS picks up right where the first Platinum Blondes concluded, though we’re first introduced to Tony and provided with awful glimpses into a childhood from which no one would walk away undamaged. As much sympathy as we might have for the young boy, he quickly erodes that goodwill as we get to know him further, and especially the man he’s become. It similarly doesn’t take long to discover that Tony is no stranger to Tina, the protagonist we became achingly familiar with during the first installment.
The tangled web of connections and intrigue doesn’t end there, and the reader’s exposed to new revelations that paint everything we’ve read before in a different light. Previous sentiments have to be adjusted as new facts become available and more details become clear.
We also learn more about Gwen and Patricia Tobin, the Platinum Blondes orchestrating everything and manipulating the protagonists to achieve their sinister goals. Unfortunately, the more we learn about the two women operating The Platinum Blondes Agency, the more questionable everything becomes, including their judgment.
Todd Love answers questions we had from the first story in this series while providing us with all new questions to be answered in future installments. He leaves us wanting for more but satisfied for the time being.
Violence batters the reader from almost every page, and the story is positively soaked with blood, semen, and other fluids. Monsters elicit sympathy as we witness their development, and those who initially seemed like victims begin to appear more like monsters themselves. In all of this, Love reminds us to leave our preconceptions at the door when we enter The Platinum Blonde Agency.

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