Disease

Innocence Ends

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Innocence Ends, which was originally released in August of 2020, is a story of friendship and how far that friendship can be tested. Since its release, it has been one of my most successful titles. It was not, however, successful enough in the opinion of Candace Nola, the founder of Uncomfortably Dark Horror. In late 2023, she asked if I would be willing to remove the existing edition of the novel from publication and allow her to work with me to improve it, slap a brand new cover on it (courtesy of Don Noble), and release it through her publishing house. I agreed, and she quickly got to work. In June of 2024, almost four years from the original release date, the new and improved edition of Innocence Ends found new life.

The concept that forms the substrate of this novel is one that arose from a conversation with an old friend of mine, more than 20 years before the book ended up being published. We’d been discussing that certain B-movie tropes were never played as being serious, and we were sort of disappointed by that fact. You know the tropes I mean, the mad scientist with his manor atop the hillside, the group of friends trapped in a town with a sinister secret, and other such things. Snippets of scenes that would ultimately become part of Innocence Ends were posted on this blog years ago because I’d started writing this book long before I finally sat down and finished it in late 2019 and early 2020. More than two decades in the making, I’m pleased with how this one turned out.

Six lifelong friends meet together in an isolated mountain town in Northern Idaho to commemorate the fifth anniversary of a close friend’s suicide.

A week of hiking, spending time in nature, and a bittersweet reunion soon takes a sinister turn as the friends find themselves fighting for their lives and struggling to survive. A seemingly tranquil community bombarded by late spring storms becomes a trap filled with monsters and threats everywhere they turn.

Terrifying secrets are revealed and the survivors are left to wonder what will be left of the world outside if they can find a way to come through the gauntlet alive.

Advance praise for the new and improved edition of Innocence Ends:

This title is also available through http://www.godless.com at the following link:

Innocence Ends by Nikolas P. Robinson

The Troop by Nick Cutter, Narrated by Corey Brill

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Scoutmaster Tim Riggs should have postponed the Troop 52 camping trip to Falstaff Island off the coast of Prince Edward Island when he heard that a storm might be heading their way. If only he’d done so, the tragic and horrifying events that followed could have been avoided. Of course, if that had been the case, what would Nick Cutter have written instead of The Troop?
The book begins with an emaciated, starving man, sick in appearance and erratic in behavior, venturing into a diner where he struggles to satisfy his intense and unrelenting hunger. Filled to bursting, he leaves and ultimately makes his way to the shore of Falstaff Island, where he takes the hideous and insidious life teeming within him on a collision course with Tim and the five boys of Troop 52. With no way to escape, a storm brewing on the horizon, and an unseen threat looming beneath the sick man’s skin, no amount of scout know-how can prepare the boys for the nightmare that is about to devour what should have been a fun and adventure-filled camping trip.
Intensely disquieting body horror meets man-vs-nature in an absolute masterpiece that combines Lord of the Flies with an almost Cronenberg-style narrative of infection and parasites. As Ephriam, Max, and Newt struggle to survive, they tap into resources they didn’t know they had and learn more about themselves and each other than they’d ever expected. It’s not only the microscopic peril brought to the island by its host but also the unbridled machismo of Kent and the serial killer-in-the-making of Shelley that pushes the boys past their limits.
Interspersed throughout the narrative are supplemental reports and investigative elements that fill in the blanks for the reader, adding to the discomfort as we learn more about what awaits the boys than they know for themselves.
There is harm done to animals throughout this book. That can be uncomfortable to read, but it serves the narrative well and never feels gratuitous. In particular, the experience with the turtle is poignant, and it reminds us that these are children we’re following on this harrowing and torturous odyssey.
Corey Brill’s narration of the audiobook is fantastic. He does an excellent job of providing each of the boys with their own distinctive voices and cadence, never forcing the listener to keep track of who they’re listening to at any given time. While I loathed the character, Brill’s performance of Shelley was the stand-out portrayal, instilling the skin-crawling sensation that boy would surely produce.