
Judith Sonnet takes a hammer and chisel to our sensibilities and good taste with her collection, Something Akin To Revulsion: Six Extreme Short Stories. There is nothing safe, nothing sacrosanct, and nothing off-limits within these pages–and that’s how it should be.
It was my pleasure to be one of the first to experience LOLCOW, the story that starts this particular collection. Judith’s rendition of this grotesque and graphic tale was the winning performance of the 2022 KillerCon Gross-Out Contest, and with good reason. Plumbing the depths of the internet for hilarious, perverse, and captivating content might provide more stimulation than one is prepared to experience. But like the narrator of LOLCOW, we can’t help ourselves as we return to the trough.
Liquid Sick suitably tackles the TERF epidemic, showcasing for readers that those people spend too much time spewing excrement and too little time on empathy. Judith’s own trans experience influences and informs this narrative, and she does an excellent job of providing both amusement and poignant social commentary. Also, apropos of nothing…fecal emesis has always fascinated me.
Sonnet’s next story, Rehearsal, provides a grim and unrelenting glimpse into the hours before a school shooting transpires. Kids who did nothing wrong find themselves prey to the whims of cruel and maladjusted classmates with pizza cutters to grind.
Body-Crunch takes us to the dimly lit, poorly constructed ring of a backyard wrestling match that goes horrifically wrong. It’s not every day one almost feels bad for a pedophile, but it’s hard not to feel some faint stirring of sympathy as everything comes crashing down–and spilling out.
In Coke-Nail, a group of bored, slacker teenagers decide they know where they might be able to score some cocaine. The deal doesn’t work out as planned, but one of them still manages to reach a state sort of like snowblindness.
Finally, we have Something Akin To Revulsion, wherein some truly awful preadolescent girls decide they’re going to play a prank on the dumpy, less popular girl in their class. The conclusion might have you in stitches, though, so it’s worth sitting through the horror.
Sonnet’s collection is as gripping as it is bleak and nihilistic, and it’s got those traits in spades. Her story notes clarify the inspiration and motivation behind each of the inclusions, and it’s always a pleasure to spend a little time getting to know the author after finishing something that’s hollowed you out like this collection is sure to do.