Blacktop Wasteland by S. A. Cosby, Narrated by Adam Lazarre-White

It begins with an illegal street race in a virtually empty, forgotten corner of Virginia.
With a thundering rumble of engines breaking the silence of the cool night, Beauregard “Bug” Montage pushes his Duster to victory. The winnings from this one race will be enough for Bug to keep his garage open for another month, but the arrival of a couple of fake police officers shatters any hope he had of keeping himself afloat.
With bills piling up, his loan on the garage past due, unplanned expenses arising, and the business he and his cousin, Kelvin, used to count on diverted to a competitor’s garage, Bug finds himself in a desperate situation. He and his wife had both hoped he could put his former life behind him, where his skills as a mechanic and his skills behind the wheel had been instrumental in making him a wheelman as capable as his father before him. But when legitimate avenues fail him, Bug feels compelled to look for alternatives.
The unexpected arrival of a former associate could be fortuitous, or it could lead to disaster, and greater trouble than Bug anticipates, but with the clock ticking, what choice does he have?
S. A. Cosby provides a gripping narrative of high stakes and high speed, propelling the reader through a southern noir tale that never lets off the gas until it reaches the end of the road. Populated with characters who feel as real as anyone, Blacktop Wasteland is–at its heart–a study on identity and the conflict between who we are vs. who we want to be. It’s a story about the struggle of escaping one’s past and inherited behaviors, while the whole world seems dead set on forcing everything into that mold.
Sure, this is a heist story, but there’s more to it than that. Blacktop Wasteland will not disappoint readers who are searching for a thrilling crime novel, or gearheads searching for a book that lovingly captures details of both the world under the hood and behind the wheel, but it should also appeal to those seeking an engrossing character study.
Adam Lazarre-White’s narration couldn’t be more perfect if the book had been written with his voice in mind. He deftly tackles the emotion and depth of the characters while lending a smooth baritone delivery of the magnificent prose laid out by Cosby. I knew what to expect after listening to the equally fantastic audiobook for Razorblade Tears, and yet I was still stunned by just how amazing these two men managed to create something hauntingly beautiful when working together.

Firefly: Carnival by Una McCormack, Narrated by James Anderson Foster

Una McCormack brings a new voice to the Firefly series of novels. She seamlessly slips into the supplemental literature with Carnival just as effectively as those previously written by James Lovegrove and Tim Lebbon.
McCormack’s foray into the Firefly universe introduces us to a future analog of Las Vegas in Neapolis, an oasis of luxury and fortune in the middle of the desolate, desert world of Bethel. Hired for a legitimate security job, Mal and the crew are expected to escort a shipment of valuable minerals to the dock where they’re to be loaded up and shipped off-world. As one should expect, things don’t go according to plan, and the shipment is hijacked.
We’re treated to numerous, more intimate stories within the larger tale of Carnival, as small groups of Serenity’s crew experience adventures, both exciting and illuminating. Readers are likely thrilled to learn more about Simon’s life before he rescued River from The Alliance, exploring some of his time studying to be a surgeon. We also witness more of Shepherd Book’s secret talents from the past he prefers to keep shrouded in mystery.
There’s high stakes gambling, human trafficking, political and social upheaval, and all the wit and charm you’d expect from the Firefly characters getting mixed up in these things.
James Anderson Foster again brings the narrative to life with his excellent grasp of the nuance and cadence of the characters. I’d be hard-pressed to listen to a Firefly audiobook that wasn’t narrated by Foster unless it had the full-cast providing their character narrations, but he’s the next best thing.