The story begins with tightropes and titties, as Perry and his best friend, Devin, enjoy a vacation in a small Mexican town alongside college students from all over America–and the rest of the world. Their enjoyment doesn’t last long, as Diablo Snuff has plans for the revelers, at least the ones they find attractive enough to press-gang into the same sort of service Kong and Nick “Lucky” Luciano were providing in Passion & Pain. If you haven’t read Passion & Pain, hopefully, you’ve read A Foreign Evil, The Grind House, and Slaughter Box. You should still have some idea what I’m talking about if you’ve at least read those three. Personally, I recommend going back and reading both Passion & Pain and Grad Night as well, because they all come together in the pages of The Maddening. It’s wrong to say this story begins with tightropes and titties. It all begins in the pages of A Foreign Evil when Michael drunkenly follows a beautiful woman to a push-button hotel for a night of carnal pleasures that swiftly devolves into a nightmare of unearthly evil and sinister conspiracies. You’ve come all this way, though, so you know all about that. The journey here left its mark on you, I imagine. The Maddening is Carver Pike’s conclusion to the Diablo Snuff series, and this man knows how to end things with a bang. The best way I can think of to describe the events taking place in this novel is to suggest that it’s John Carpenter’s In The Mouth of Madness meets The Purge while managing to be both more horrific and graphic than either of those movies. If that doesn’t sell you on diving into this book, I honestly don’t know why you’d be reading my reviews in the first place. You might not be my target audience, in which case you’re almost definitely not the target audience for Pike’s Diablo Snuff books. The movies were bad enough, allowing incarnations of evil creatures on the screen to infiltrate our world, stalking and murdering the viewers unfortunate enough to witness even small portions of each film. The release of the novels written by the authors who disappeared from The Grand Georgina signals the next stage of the Diablo Snuff master plan as the madness spreads throughout society, irrespective of nation or culture. This plague of lawlessness and insanity is amplified with the release of The Maddening, the book Tobias desperately hoped he could keep from distribution. None of these things are fast or dramatic enough in dismantling society and sewing chaos, and that’s where the app comes into play. Across the world, psychopaths and damaged people compete with one another to commit the most creative and devastating horrors, racking up more money with each rape and murder. Against this horrific backdrop, the members of Psalm 71 must make their way to the heart of the evil that is Diablo Snuff, saving as many innocent lives as they can along the way. Knowing this is the final volume in the Diablo Snuff series, it should come as no surprise that the tale culminates in a battle between the forces of good and evil that crosses the border separating our world from unearthly planes of existence. This is a spiritual clash that would make Frank Peretti envious. If you’re unfamiliar with Frank Peretti’s Christian horror novels, you might be missing out because some of them are surprisingly good; but they’re nowhere near as good as what Pike has laid out for us in the pages of The Maddening. This book is punctuated with set pieces of such depravity and cruel imagination that the reader can’t help but wonder at the apparent limitless creativity brought to the table by Carver Pike where horror is concerned. At its core, this is a story of hope, though. The Maddening–as with the Diablo Snuff series as a whole–is about facing a terrifying evil and refusing to flinch. It’s about standing ground and fighting, even when the easiest solution would be to turn away or to give in. Knowing that you may not survive, that those you love and who stand by your side may fall as well, but persisting in doing what you know must be done; that is the core of it all. In that respect, as in all others, Carver Pike has succeeded in crafting a masterpiece with this book.
When his teenage daughter disappears, Offi–former Officer Standish learns he will do anything to find her. In his search he will plummet to lows he’d never dreamed possible, braving trials that test the limits of his imagination and his intestinal fortitude. How far would you go to save the life of your only child?
Just in time for Thanksgiving, I’m bringing you a story that should make you hold your loved ones closer, treasuring family. I don’t want to spoil anything, because I delve into the backstory surrounding what motivated me to write this one in the Author’s Notes at the end of the story…but in the midst of this, you’ll encounter the snippet I’d set aside to share as part of the KillerCon 2021 virtual convention. Sadly, I opted not to dive right into the depravity and that decision did me no favors.
You can find this Godless exclusive short by going to http://www.godless.com or by downloading the Godless app to your mobile device of choice. The link is below:
Billy and Jeannie are definitely not Jack and Diane. They’re not the sort of couple Mellencamp would immortalize in song. It’s more likely they’d be immortalized by a band like Cannibal Corpse, preferably before the departure of Chris Barnes. Billy Silver is a junkie and an alcoholic, a guitarist and singer, and an all-around degenerate. Despite all of his flaws, and there are many, he’s also captivating and occasionally funny. Within the first few pages, you’ll come to loathe him. That sensation never quite disappears, even as you begin to feel a small amount of sympathy for him along the way. With his life falling apart even worse than it already had, Billy finds his way into a tattoo parlor where the mysterious Talia pays him to obtain a new piece of ink under the pretense of needing practice before the shop officially opens. It doesn’t take long before Billy’s self-destructive nature takes on an altogether more horrific and direct manifestation. Daniel Volpe captures Billy and the other characters who populate his dingy, filth-riddled corner of existence with such detail that you can almost smell the halitosis and urine as the story carries you along. Volpe brings the streets and back alleys of the city to life in crushing, grimy detail that is further enhanced by the narration provided by John Wayne Comunale. These two men together provide us with something as splendid as it is awful. I’m glad I’ve snagged more audiobooks narrated by Comunale because he is not only an excellent writer but a truly amazing narrator.
Originally written in 2015 as a futile and frustrated attempt to write a piece of short erotica, the story took on a life of its own and became something altogether unpleasant and not suitable as erotica.
I’ve revised, rewritten, and returned some previously censored content to the story and released it on Godless for only $0.50.
Amy’s expectation of a relaxing summer of housekeeping at a theme park hotel is shattered as guests and staff alike are overcome with carnal desires that cross all lines of decency. Can she escape with her sanity intact? Can she even make it out of the hotel?
Check it out for yourself at http://www.godless.com or by downloading the Godless app on your mobile device of choice. The link is below:
A friend of mine brought a Kickstarter campaign to my attention months ago. Upon checking it out, I absolutely had to get on board. It was to be a graphic novel showcasing a variety of Texas-based comic and literary talents in an anthology setting. Since a lot of my favorite indie authors and small presses are based out of Texas there was no way I wasn’t going to support this campaign. My digital edition of Texas Horror arrived just a few days ago, and I thoroughly enjoyed it. We begin this anthology with Kitchen Witches: Origin of the Ramen Witch, brought to us by Halo Toons. A late-night visit to a convenience store becomes something unexpected as a cup of ramen in the microwave behaves in a way that defies any conceivable safety precautions. Aerobicide: Blockbuster night, written by David Doub with art by Terry Parr, takes on a harrowing adventure that arises from a simple attempt to return some videotapes. You’ll find references to horror video rental royalty throughout this brief but entertaining escapade. Demons In the Darkness: Part 1, written by David Doub, with letters by Daniel Chan and art by Dominic Racho, tells the story of a group of outcasts getting together for a night of tabletop role-playing after a rough day in school. As the story unfolds, an in-game ritual to purge some of the negativity from the real lives of the players might turn out to have some real-life consequences. The Texas Horror Writers Showcase brings us flash fiction from some of my favorite writers in the industry today. John Balitsberger shares a tale of the famed Goatman’s Bridge and the sacrifices people will make to unlock secret knowledge. Lucas Mangum tells us the story of a camping trip gone terribly wrong in a story of beautiful flowers and mental illness. Wile E. Young brings us back to the world of Salem Covington (of The Magpie Coffin) from a different perspective. And finally, Max Booth III brings us a strange tale of gardening and family that will leave you wondering “What the fuck,” just as much as the father in his story. Luna Vino, written by Mike Howlett and drawn by Howard Kelley, takes us to a manor where, no matter how unexpected the night might turn out, losing one’s favorite wine might be the worst thing that could happen. Finally, Mask It or Casket, written by David Doub with art by Miguel Angel Hernandez, shares a poignant tale of the current pandemic. In this violent clash of ideological perspectives taken to extremes, it’s difficult to consider even one’s own side correct, though it’s hard not to sympathize with the antagonist’s frustration. All in all, this is a great sampler of the fantastic horror-themed art coming out of Texas. It’s certainly added some names to the list of creators I’ll want to keep an eye on.
Though the campaign for this project has been over for a while, readers might be interested in some additional details. I’ll include the link to the Kickstarter below:
Jon and Spence live alone with what’s left of their mother. Alone, that is, until Jon brings Wendy home. Wendy, steadily decaying and host to insects and parasites of all kinds since Jon left her rotting in the woods until he couldn’t restrain himself from bringing his new lover home. That is where the story begins, but it’s nowhere near the end. Grotesque, violent, sexually explicit, and perversely hilarious, Sean Hawker introduces us to the world of The Cotswold Muff Mangler and his mentally deficient sibling. More than that, he introduces us to a form of afterlife that is utterly, horrifically awful. Think Return of the Living Dead, where the deceased remain aware and capable of receiving gradually diminished sensory input as they rot. Now imagine being at the mercy of a dude who takes you back to a home that resembles a landfill only to have his way with you in every disgusting manner possible. Yeah, it’s sort of chilling to think about it. I recommend not thinking about it if you can avoid doing so. Thanks to our author, I find myself wanting to attend a Godless Horrors Lit Fest in some seedy dive of a bar/pub in a rundown, needle park region of a city. If there’s a guarantee of Simon McHardy filling an inflatable koala with semen, I think the venue will be packed! There are no sympathetic characters in this story, but that’s a feature, not a bug. If you’ve enjoyed Hawkman’s other material, you’re sure to love this one. You’ll never look at a Halloween mask fashioned from gorilla foreskin the same way again.
This title is a http://www.godless.com exclusive. You can obtain it for yourself by going to the website or downloading the app on your preferred mobile device. The link is below:
Nikki Noir has an exceptional talent for blending supernatural elements with splatterpunk sensibilities. If you haven’t read the Black Planet installments–or the collection of the first four–you are seriously missing out on a writer who is easily one of the best emerging voices of indie horror. If, however, you want to avoid diving into a series, you’re in luck. Nikki has several stand-alone short stories like this fantastic tale. Jen is still an outsider at school, even after spending a year in the new town where her family moved. One of her only friends is a young boy named Dale, a special boy from an unhappy home. Jen met Dale hanging out near the river, and she began telling him stories. One of those stories Jen shared concerns the Japanese myth of the Kappa. Dale internalized that particular myth and began playacting as a Kappa near the water. But Dale has been missing for a couple of weeks. Heading home after a party where she’d gotten into an unpleasant verbal exchange with one of the popular girls, Jen is startled and pleased to discover Dale hanging out on one of the rocks near the river. She attempts to take him home, but he resists, insistent on playing a Kappa. Leaving him with the cucumber she’d carried with her–the favorite treat of one of those supernatural creatures–Jen races off to bring attention to Dale’s presence near the river. From there, Cucumbers & Comforters becomes a barrage of sex, sexual violence, unraveling mysteries, sinister family drama, and myths seemingly come to life. There may be no amount of childlike security found in carrying cucumbers or hiding beneath comforters that will save Jen from the awful repercussions of the events set in motion the night of the party…but you’ll have to read the story to find out for yourself. If you’re in the mood to read about glowing orbs brutally extracted from human anuses, taboo sexual trysts, and murder, you are in the right place. This is a voyage Nikki Noir is the perfect host to guide you on.
You can obtain your own copy of Cucumbers & Comforters from http://www.godless.com or by downloading the Godless app on the mobile device of your choice. The link is below:
If you haven’t read Arzate’s Elaine, I can vouch for the fact that it’s not necessary to enjoy I’m a Marionette. I also haven’t read the story that sets the stage for what we discover in these few pages. Amy wakes up in what appears to be an abandoned, run-down hotel room. Surrounded by filth and unfamiliar with how she found herself there, she grabs her purse and makes her way to her car parked outside. The atmosphere is oppressive and unsettling, and Arzate maintains that atmosphere throughout the tale. From that auspicious beginning, we soon discover that Amy, along with her mourning parents, has been searching for information regarding her missing brother, Chris. The last thing she remembers was deciding to purchase a pack of cigarettes at a convenience store before finding herself in the grimy hotel room. I’m a Marionette perfectly captures the fluid dream logic that makes the worst nightmares so challenging to shake. Amy finds herself led along by impulses she only barely comprehends–and certainly does not control–as she meanders through a world that feels only slightly like the real world she expects. We can’t help but witness Amy’s unsteady travel through this surreal, nightmare version of Wisconsin, as helpless as the dreamer when they don’t know they are dreaming. I couldn’t help but appreciate Ben Arzate’s rather different interpretation of a train station, as Amy flips through the apparently empty radio channels only to find one station broadcasting what sounded like the constant thrum of an approaching train. I found myself thinking, “That’s a different sort of train station.” I immediately picked up Elaine after finishing this story, and I suspect you might do the same. If it’s half as captivating and unnerving as I’m a Marionette, it’ll be worth the price of admission for sure. The three poems contained within the Godless exclusive edition feel perfectly in line with the story that precedes them, carrying the same surreal, dreamlike horror beyond the conclusion of the story itself.
This edition is exclusive to http://www.godless.com or from the Godless app, available on your favorite mobile devices. The link is below:
The rich really are different. Never honeymoon in Thailand. Those are the biggest takeaways from Kinlay’s Bloodymoon. We meet the celebrating couple just as a plum is to be propelled from the vagina of a woman on stage into the new bride’s mouth. How can you go wrong with a story that starts like that? From there, Kylie–increasingly intoxicated–allows her husband, David, to drag her along in his wake as he seeks even greater and more taboo forms of enjoyment. Unfortunately for Kylie, she might have married into the wrong family. Bloodymoon is a story that starts out feeling like The Hangover only to transition into Hostel, and it’s quite an adventure getting from origin to destination.
You can obtain this short story for yourself by going to http://www.godless.com or by downloading the Godless app for Apple and Android Devices. The link for the story is below:
The Grind House continues the descent into madness that is Pike’s Diablo Snuff series of books. If you’ve read A Foreign Evil and Passion & Pain, you’ll have some idea what to expect while still finding yourself surprised around every twist and turn captured by the author’s impressive imagination. While the previous two installments focused heavily on monstrous cruelty and torture inflicted by agents of the malevolent organization known as Diablo Snuff, this book leans heavily on things that can’t be perceived as anything other than the supernatural. The visions of demonic entities–post-climax–in A Foreign Evil could easily be dismissed as little more than the feverish hallucinations of a man who went through hell. It’s far more challenging to similarly write off shared visions of inhuman horrors and other aspects of the tale unfolding within The Grind House. Of course, we all knew these things were real–in the context of the story–but it hits home much harder in this book than the previous immersions into the world of Diablo Snuff. Fans of the previous two stories in the Diablo Snuff series will be happy to encounter some familiar characters at different points in this novel. I know I certainly was. In this book, as in the previous two, Pike’s history as a writer of dark romance and erotica comes to the forefront in a big way, weaving together heavily eroticized encounters with sheer, unrelenting lunacy. It takes a certain undefined skill to seamlessly blend graphic, sensual intimacy with a bewildering, undercurrent of horror, but it’s a skill Pike has in spades. It’s The Shining on MDMA. If Shirley Jackson had channeled Marquis de Sade when writing The Haunting, we might be coming close to what you’ll find within these pages. This isn’t necessarily to suggest The Grind House is a haunted house tale, but in a sense, it most certainly is. If a place can absorb the evil of those within its walls–or beneath its foundations, The Grand Georgina most certainly has. Tobias (T.K. Tantrum) is in for far more than he or his assistant anticipated when he was signed up to attend the writers retreat at The Grand Georgina. He hoped to write the masterpiece that had eluded him so far in his modestly successful career, but he finds himself drawn into real-life peril that rivals anything he could have written. As the abominations of both past and present are revealed, the insidious trap Tobias finds himself within may be something from which even madness provides no escape. As prurience gives way to panic, it may already be too late for any to escape the clutches of Diablo Snuff.