The Sins of the Media Are To Be Laid On the Masses

I believe in the Fourth Estate. I’m passionate about that belief, and I’m passionate about the role the Press is intended to play in a Free Society. Journalists have to hold those in power accountable and provide for an informed electorate. My colleagues have heard my rant often enough that they probably want to slap me whenever they know it’s coming. I occasionally find myself struggling to remind the people I work with that our responsibility is to elevate the level of discourse. It doesn’t matter whether we’re reporting on Congressional Legislation, new medical procedures, or anything else. Our role isn’t dissimilar from that of educators. We have to inform the people who rely on us, whether they like or agree with the information we provide.

Somewhere along the line, we’ve forgotten how important we are in keeping corruption, abuse of power, and malfeasance at bay. Some of us have become puppets of the very figures we’re meant to guard against, some have grown complacent, and still others have pivoted from providing information to providing entertainment. I’m not saying that education can’t be entertaining, because I’m a fan of John Oliver, John Stewart, Samantha Bee, Michelle Wolf, Cody Johnston, and others like them. But it’s a fine line to walk, and few do it well.

I won’t place the blame squarely on the Journalists who have lost their way. It’s the audience that craves drama, conflict, turmoil, and childish or boorish behavior. It’s the audience that drives engagement. It’s the audience that ultimately determines where advertising dollars are spent.

But we do bear some of the blame.

I first started working in Broadcast Television (and specifically News) back in mid-2000, when I was 21 years old. I began with the basics of operating studio cameras, controlling the teleprompter, floor directing, designing/assembling graphics, and so on. I left the industry in 2010, not entirely of my own volition. Eleven years later, in 2021, I was back again, and here I am today. I’ve spent approximately one-third of my 46 years working in that industry, and roughly half of my adult life. I’ve witnessed several changes over the last 25 years, and not all of them have been positive. I’ve seen faith in the News Media eroded, sometimes with good cause and other times because the average person doesn’t understand what goes on behind the scenes and beneath the surface.

When I left the industry in 2010, it was close on the heels of the Station Manager passing along a mandate from himself and the ownership of the station (several wealthy and influential families in the region) that, if a story had a political angle to it, we were to lean right in our reporting. I wasn’t part of the Newsroom at that station, but I didn’t think that was at all acceptable. I admit my morale and overall attitude toward station operations deteriorated after that. Unfortunately, that trend of rightward deviation has only persisted. But if you ask people on the street, a substantial number of them will claim that the News Media are biased and promoting a Leftist Agenda.

Perhaps it’s the fault of American audiences that they’re unable to recognize that there’s no such thing as left-leaning Media in the United States unless we’re looking at publications like Mother Jones and The Nation. Since most people don’t know that those outlets even exist, it’s a fair bet that most Americans have no idea what they’re talking about when they insist on a Leftist Bias in the Media. At best, what they’re referring to is a Liberal Bias from Media Organizations like MSNBC or CNN. Of course, those same people are likely to refer to the Associated Press, Reuters, NPR, and other politically unbiased Media Organizations as being left-leaning. Ultimately, it comes down to either accepting Propaganda over Reality or having a deep misunderstanding of Political Theory.

At best, it can be argued that there are Democratic (Liberal) and Republican (Conservative) Media Outlets. But even the Liberal ones tend to dismiss and disparage any Leftist or Progressive policies proposed by Democratic Party members. They do as much harm to actual Progressive Ideals as the Conservative Media does. The Liberals and Conservatives have far more in common than they don’t, in that they’re both invested in maintaining the Status Quo and shutting down any attempts to question it. The problem is that the Politicians and the Media are controlled by the same interests, because they control the money.

Of course, money has always been the worst influence on the Media. The earliest Newspaper in America had an advertisement in the first issue. And Advertisements have followed News from periodicals to radio, and from radio to television. And now, advertisements have jumped from television to social media platforms and websites.

The first advertisement on TV was way back in 1941, and they’ve become increasingly prevalent since then. The growth of television as an industry, and Television News as a result, led to the Federal Communications Commission enforcing the Fairness Doctrine, starting in 1949. It was intended to keep the burgeoning Media Outlets from misusing their power and promoting biased agendas. The Fairness Doctrine required that Media Outlets examine controversial public issues and provide airtime to opposing viewpoints.

As with several major errors made in the United States, it was brought to an end with a poor decision made under President Ronald Reagan (and his FCC Chairman), who dissolved the Fairness Doctrine in 1987. Of course, the Fairness Doctrine wasn’t perfect, and it wasn’t perfectly implemented. But there’s no denying that the purpose was noble and good, to hold off the prevalence of echo chambers and purely partisan News coverage. Abolishing the Fairness Doctrine is seen by many experts as the biggest contributor to the fractured, partisan environment we have today.

Naturally, one of the other major contributors to the decline in quality of News coverage was the advent of the 24-Hour News Cycle, after Ted Turner founded CNN in 1980. Much like the Internet today, it fed a desire for immediate updates and instant gratification. People didn’t want to wait until scheduled times to learn what was happening, especially when major events were transpiring. This need to cater to an audience’s obsession with instant gratification promotes mistakes, the sharing of bad information, and a lack of proper vetting. The need to be “first on the scene” because the audience will tune in elsewhere has done so much harm.

We in the Media are at fault for much of the misunderstanding and misapprehension we witness in the world around us right now. As an industry, we need to both acknowledge that reality and actively work to compensate for the damage we’ve caused. Now, I’m not talking about the explicit Partisan Propaganda of organizations like Fox News and Newsmax or Huffpost and MSNBC, but the otherwise unbiased news sources that do their best to provide balanced coverage. It’s not entirely on our shoulders, but we do bear a substantial portion of the blame, if only because we’ve been too uncritical for altogether too long, and that willingness to avoid being openly critical of various subjects and stances has allowed us to be backed into a corner that we seem to be ill-equipped to escape.

Of course, the lion’s share of the blame falls on the increasing tendency of politicians to turn every social, medical, and cultural issue into a political one. The people who watch it happening, without questioning how or why these things are suddenly “political” topics when they never had been before, are also at fault. It has left even the most legitimate media outlets with no simple way to address any of these topics. Instead, we dance around the issues, struggling to find opposing sides and lending them credence by providing them with a platform that they don’t merit. We hold off on sharing critical information because we haven’t been able to obtain a statement from someone with a viewpoint opposing whatever it is we’re trying to share. If we neglect to do so, we get called out for being biased.

We risk losing advertisers.

We risk litigation.

But in failing to inform, we risk losing the credibility we have left.

Fringe perspectives should NOT be provided the same degree of coverage. That’s the simple truth of it. But when a topic becomes heavily politicized, it becomes more challenging to navigate what should otherwise be a straightforward assessment of data, statistics, and known facts. When people refuse to accept that what they already believe to be true is not, we have no easy way to address that flaw. The political figures who insist on turning everything into a political battlefield know precisely what they’re doing, and we know WHY they’re doing it.

They force a dialogue that shouldn’t be a dialogue at all.

We saw it repeatedly during the COVID-19 Pandemic. It wasn’t exclusively the News Media at fault, because Social Media was a major source of much of the misinformation that was spread, and attempts to provide Fact Checks were perceived to be biased.

There are still people today who believe that the medical field was pretty evenly split on the topics of Vaccine Safety and Vaccine Effectiveness. Globally, based on a study of more than 40,000 nurses across 36 nations, fewer than 21% of nurses rejected the COVID-19 Vaccine. The most pronounced interval was between March and December of 2020, when Pharmaceutical Companies were initially testing the vaccines.
As early as June of 2021, according to the American Medical Association, 96% of practicing physicians were fully vaccinated against COVID-19, and an additional 1.8% of them were actively planning to receive vaccinations.

Unfortunately, the way the media reported on the topic gave people the sense that a large number of Medical Professionals were speaking out in opposition to the vaccine. This is a negative side-effect of the overcompensation involved in attempting to provide multiple sides of an argument with equal coverage. If we intended to provide balanced coverage, we should have given the anti-vaccine proponents roughly 5% of the coverage, compared to 95% of the coverage focusing on the medical consensus.

This is something we need to address.

It’s something we need to atone for.

What would previously have been simply a matter of focusing on medical consensus became a partisan issue, requiring more even-handed coverage of opposing sides when there are not equivalent claims made by both sides.

This is, of course, not isolated to the COVID-19 Vaccine. We’ve seen this happen with topics from Abortion to Gender Identity, none of which are inherently political topics. And they should not be.

These are subjects best left in the hands of the relevant professionals and experts, not politicians.

Abortion didn’t become a political issue until the 1970s, and Gender Identity started down that path in the UK in the 1970s as well. But didn’t become a major political issue in America until roughly a decade ago. Vaccination (as a whole) was a largely apolitical topic until more than 15 years ago. But, as these topics went from being personal and medical decisions to political ones, the News Media was forced to adjust how it covered them. The number of lies, discredited studies, and hate-based propaganda talking points we allowed to slip through has been disorientingly massive. We were supposed to be maintaining the public trust.

I’m sorry to say that we failed.

But we don’t have to continue failing.

Travel By Bullet by John Scalzi, Narrated by Zachary Quinto

Travel By Bullet returns fans to John Scalzi’s The Dispatcher series following a pandemic that isn’t altogether too dissimilar to the one we’ve experienced in the real world. Unlike the real world, Tony Valdez and other dispatchers like him have had more work than they can handle, as grieving families insist on postponing the inevitable for loved ones hooked up to machines. Unfortunately, resetting only goes so far, and it won’t repair the damage done by the sickness itself. It’s a bleak and depressing scenario we find ourselves experiencing through Tony’s perspective.
When a friend is rushed to the hospital, begging Tony to let him die, it triggers a series of events that brings Tony to the attention of wealthy and powerful figures with secrets they’ll do anything to keep under wraps.
This installment continues Scalzi’s trend of combining the alternate reality science fiction of The Dispatcher series with an old-fashioned dose of noir that blends perfectly. The overarching mystery is satisfying and sufficiently convoluted, especially impressive considering the relatively short length of the story.
I particularly liked the concept behind the title of this installment of the series. The premise of utilizing the reset in that way seems both obvious and strangely horrific.
As with the previous two volumes, Zachary Quinto’s narration is superb, lending Tony a uniquely nuanced personality and bringing the other characters (many familiar faces from previous glimpses into the world of The Dispatcher) to life. I hope that Scalzi continues writing these tales and that Quinto continues narrating them because, like Scalzi’s seamless combination of genres, it’s a perfect blend.

Ghost Summer: Stories by Tananarive Due, Narrated by Tananarive Due, Robin Miles, and Janina Edwards

The fifteen stories collected in Ghost Summer are some of the most engaging short stories I’ve had the pleasure of reading. That pleasure was in no small part because these stories often provide a vastly different perspective from much of the horror and speculative fiction on the market, informed by the author’s experiences as a black woman, both socially conscious and attuned to history. It’s a perspective and worldview that readers should actively seek out because Tananarive Due successfully displays both the ways we are all the same and the stark differences that haunt many people to this day.
There’s nothing not to love in this collection, but it’s the Gracetown stories kicking everything off that stuck with me the most. This strange, haunted place in northern Florida arrests the reader just as it seems to capture residents and visitors, sometimes in horrifying ways. Gracetown is a place of transformation and possession. It’s a town where the ghosts of a torturous, hateful past reveal uncomfortable truths.
Due provides us with glimpses of the past, of places where myth and legend overlap with the real world, where cultures collide with sometimes beautiful but often horrific results. We experience sadness and loss, sickness, and terror as the author paints all-too-real portraits of people, from those struggling to escape their circumstances to those hoping to find the peaceful embrace of death.
It isn’t all about the past or present, as she also takes us to the end of the world, displaying a keen understanding of human nature that proved almost prescient when compared to the pandemic conditions that ushered us into the current decade.
Narration provided by Tananarive Due herself, as well as Robin Miles and Janina Edwards makes for a different experience from story to story, each individual breathing life into the narratives in slightly different ways, but never in an unsatisfactory manner.

A Predisposition for Madness by Aurelio Rico Lopez III

Aurelio Rico Lopez III has provided readers with a robust assortment of free-verse narrative poems. There are literally dozens of stories and set pieces conveyed through poetry in this collection, and it’s well worth the time spent properly digesting each and every one.
A Predisposition for Madness has certainly put this writer on my radar in a good way. In these pages, you’ll discover monsters both human and far from it, you’ll witness new pandemics and sickness ravaging households and the world, you’ll see warfare and apocalyptic scenarios played out, and you’ll encounter things far more challenging to describe. There’s most certainly something in here that will suit the tastes of any reader, assuming that reader enjoys poetry. Even if you don’t typically enjoy it, I’d recommend giving this collection a chance.
The title is an apt one, the cadence of the poems coming across almost as if the stream of consciousness ravings of a madman in a padded cell, alternating between mumbles and screams.

This title was released as part of the 31 Days of Godless event at http://www.godless.com for October of 2021. You can read it for yourself by going to the website or by downloading the Godless app on your preferred mobile device. The link is below:

Nosophobia by Gerhard Jason Geick

What do you do when your life is falling apart around you because your kinks and perversions are too shameful for loved ones to accept? What if you also have neither the motivation nor the courage to sort things out? In the case of our protagonist, you pack your bags and head for China to teach English as a second language, evading your problems while hoping to return someday with unearned closure in tow.
While unsympathetic, our protagonist is relatable in more ways than is probably comfortable to admit. Geick dips into the well of our shared experiences of insecurity, loneliness, shame, and isolation to craft a character that reflects some of our least appealing traits.
A night of drugs and exotic dining, characterized by increasing haziness and disorientation, leads us to a conclusion that the reader sees coming just a short while before the revelation hits home.
Nosophobia should rank among the best works of short fiction to arise from the pandemic conditions of 2020/2021.

You can obtain your own copy of this fantastic short story through http://www.godless.com at the link below:

The Last Conversation by Paul Tremblay: Narrated by Steven Strait

The Last Conversation is the third of the six short stories in the Forward Collection assembled by Blake Crouch I’ve listened to. It is also the first time I’ve experienced Paul Tremblay as a science fiction author, and the experience was an interesting one.
I’m sure he’s written other stories or books that have crossed into the science fiction territory, or at least I’d be surprised if he hasn’t, but I’ve only been familiar with him as a horror author and occasionally as a dark fantasy author. This brief tale showcases his talent for wearing a variety of hats with efficacy.
It’s a solid second-person narrative detailing the awakening of the protagonist in isolation to protect him from a global pandemic, while the only other person–seemingly still alive–coaxes them through restoring memories and physical capabilities. The story was ultimately predictable, but no less satisfying for the very predictability of it. It wasn’t about telling us a new tale so much as providing a platform for the discussion of morality, humanity, the devastating combination of solitude and grief, and the ethics involved in cloning. In that sense, Tremblay packs a big punch into a small number of words. He utilizes and capitalizes on the elements of science fiction that have always been used by authors, the capacity to frame thought experiments in a fictional narrative that makes the philosophical subject matter more palatable and digestible for the readers (and sometimes the author).
The narration, performed by Steven Strait, is superb. Strait captures the stubborn resistance of the protagonist to being held captive–even if it is for his own good–as well as the sadness and pity that mingles with that oppositional nature as the truth of everything is revealed in the end.

COVID-19 Vaccine Dose One

My timing couldn’t have been better, transitioning from my role with GE Appliances to my new position as a Technical Media Producer for Gray Broadcasting (KOTA/KEVN).

It was just last week that 1E classifications became eligible for COVID vaccinations. I immediately jumped on that and scheduled my first dose for my next day off, which happened to be today.

Now I simply have to wait another four weeks until I can receive dose two of the Moderna vaccine.