Hollow: Linkville Horror Book 4 by Mike Salt, Narrated by Curtis Michael Holland

Take one part As Above, So Below, one part The Descent, and one part Jacob’s Ladder (with just a dash of House of Leaves) and you’ll end up with something that adequately sets the stage for Mike Salt’s Hollow, the fourth installment of his Linkville Horror series. There’s much more involved than those three components, but they capture the atmosphere Salt crafts with this claustrophobic tale of terror.

Beneath the sleepy, seductive, and sinister town of Linkville is a tunnel that runs through the whole of downtown. Despite attempts by the city to renovate it and transform it into a tourist attraction, it’s fallen into disrepair. When Tyler and Robin returned to their hometown of Linkville, to visit with their friend Bird, they had no reason to think they’d be venturing into that tunnel. But when Bird frantically leaves his brother’s house upon their arrival, intent on tracking down his family and their friends who have been missing for a few days, Tyler and Robin feel compelled to help their friend out.

But it doesn’t stop with the tunnel. A hole in the tunnel leads into what appears to be a cavern hidden beneath, and that’s where Bird is certain his brother and sister-in-law have disappeared. Cooler heads do not prevail, and the three friends venture into the depths of a place from which there seems to be no escape.

Hollow is filled with labyrinthine mysteries, nightmares that come to life, claustrophobic tension, and the uncertainty of being unable to trust one’s own reality. It’s a bleak and torturous tale of survival from which there might be no such thing as surviving. While it’s a fully encapsulated story, without any need to explore the other Linkville Horror books, I suspect that this experience is more than sufficient to draw readers/listeners back to Linkville, even if they never get to explore the seemingly endless evil that exists just beneath the surface…and that may be a blessing. If Salt ever does invite readers back to the tunnels, it might be best to decline that invitation, as it can only get worse from here. Tyler and Robin would most certainly agree.

The narration provided by Curtis Michael Holland takes a little getting used to, but once you’re comfortably settled in, it’s a fun ride. I will say that he sounds just a bit like H. Jon Benjamin, which isn’t a bad thing, it just brings to mind many of the animated characters he’s voiced over the years while you’re trying to focus on the story.

Horrorstor by Grady Hendrix, Narrated by Tai Sammons & Bronson Pinchot

It’s not a popular opinion within the horror community, but I have not been a fan of Grady Hendrix. His writing is top-tier, and the concepts behind his work have always been compelling, but there’s something in the execution that’s never worked for me in the past. I’ve seen the rave reviews of books like My Best Friend’s Exorcism and The Final Girl Support Group, and I’ve gone into them hopeful…only to feel disappointed. I wanted to like them. Something about the characters and the pacing always left the stories lacking.

And then I took a chance on Horrorstor.

This was what I was hoping to find. The other Hendrix books didn’t do it for me, but this one contained the perfect blend of wry humor and sincere horror. The characters didn’t irritate me, the pacing felt simultaneously practiced and natural, and the story itself was fascinating.

If you’ve spent any time shopping at IKEA, you’re familiar with the planned layout that’s guaranteed to draw you deeper into the store before you ever have a chance to find an exit. The way out is through, but it’s a long way through. This is precisely the dynamic ORSK has implemented in its shameless attempt to copy the already established IKEA. And that makes it all the more difficult for employees to figure out how or why things are being damaged, defiled, and destroyed overnight. And, what’s worse, sales are down.

Could someone be breaking in? Or is this a case of someone phrogging in the establishment? That’s what the manager hopes to find out when he enlists two of his employees to spend the night there with him, as they prepare for a visit from corporate headquarters.

Unfortunately, the truth is far worse and infinitely more difficult to understand. Will any of the employees survive the night, or will they get lost in the labyrinth?

There’s a lot to unpack, from the scathing indictment of consumerism and the mindless drive to shop and spend that’s promoted and encouraged by the corporations hoping to pad the bottom line to the predatory conditions at-will employees are subject to, simply to keep the lights on. Hendrix imbues this story with plenty of social commentary.

The chapter breaks–with their increasingly sinister product descriptions–were one of the best things Hendrix could have added, making the whole experience that much more entertaining.

Tai Sammons’s narration of the main story was fantastic, and Bronson Pinchot’s delivery of the product advertisements separating the chapters was a masterful stroke of brilliance.

The Walking by Bentley Little, Narrated by John Pirhalla

If you’re familiar with Bentley Little, you’re probably well aware that he’s an author who excels at tales of small towns with dark secrets, hidden mysteries, and sinister forces beneath the surface. He takes the mundane and everyday aspects of our lives and transforms them into something sublimely creepy with apparent ease. That is, in fact, the man’s bread and butter as far as I’m concerned, and few have come close to doing it half as well.

The Walking includes a fair bit of what you’d expect from Little but with a lot more history involved than is often found in his work. The tale unfolds during two different periods, as the revelations behind what’s happening are deeply tied to events of the distant past, where a town of witches was established in the Southwest. In this place, they could be safe from persecution and the religious intolerance of the rest of American civilization. That is until everything falls apart.

In the modern day, we discover a plague of peculiar variety, in that some recently deceased people are suddenly driven to walk, although they’re clearly quite dead. Family secrets are uncovered, the cruel fate of the once-prosperous town of witches is revealed, and the cast of characters we’ve been following are forced to meet face-to-face with the mysterious force that’s animating the dead and calling them home.

Fans of The Summoning are sure to enjoy the appearance of a certain opportunistic FBI agent.

This was slower than a lot of Little’s work, but it was not disappointing for that fact. It felt different from much of his other work, including the pacing and the wider scale of the overall narrative.

John Pirhalla’s narration was top-notch, leaving no complaints and nothing to be desired.

Death Pacts and Left-Hand Paths by John Wayne Comunale, Narrated by John Wayne Comunale

John Wayne Comunale brings his usual irreverent humor and blasphemy to this tale of a working stiff who–like many of us–wishes he could find a shortcut to the life he would rather be living. Sometimes, that might be as easy as pushing someone in front of a bus, which–as it turns out–might be more challenging than you suspect. In this case, the desired shortcut comes in the form of a “Satanic” ritual.

A promotion at work, a life of ease, and the girl of your dreams, what would you do to have those things? Would you summon a peculiar little blob of a demon that resembles a demon about as much as the real Hell resembles the one you’ve always imagined from a lifetime of mythology and Christian upbringing–which is to say, not at all? Well, that’s what our protagonist decides to do, and he soon learns that there’s more work involved in making these dreams come true than it would have required if he’d just put in the effort in the first place. Mistakes were made.

Sometimes the shortcut isn’t much of a shortcut at all, but it’s difficult to see that until you’re already on the path, and by then it might be too late. Hindsight is 20/20, they say.

Comunale spins a fun little tale of a life spiraling out of control, the price of hubris, the hollow pleasure derived from cheating your way to success, and how important it is to be careful what you wish for. Along the way, he builds a new mythology of the realm we think of as Hell, the beings we think of as demons, and the harsh challenges associated with bridging that infernal realm with our own.

The author narrates his audiobook edition of the book, and there’s never any disappointment to be found in Comunale’s delivery. He knows just the right amount of sarcasm to imbue the narrative with, and the voices he has in mind for his characters.

This All Ends Horribly by Mike Salt

I had the pleasure of reading this novella before the official release date to provide the author with a blurb. When I say it was a pleasure, I am absolutely sincere. The title is by no means misleading…everything does come to a horrible end, but that should be no surprise once you’ve made your way even a quarter of the way through the hellishly phantasmagoric tale Mike Salt has shared with us.

Coming home from vacation can often feel like returning to Hell. I think, upon reading this story, you might have a different perspective on that matter. A group of old friends spend a drunken and debauched vacation at a Disney theme park, sans children–only to return home, exhausted and thoroughly unprepared for the gift that awaits them. As they struggle to contend with forces they neither understand nor invited into their lives, they quickly learn that there are things in the darkness that are far worse than anything they might have imagined.

Salt holds little back in his depictions of torture, both physical and psychological–and he packs a whole lot of both into this slim volume. The characters come to life before your eyes only for you to witness as those lives are devastated and ripped apart with the same confusion and uncertainty the people on the page experience for themselves. Each step of the way, you find yourself wondering what comes next…and how much worse it can get. I assure you, it does get worse.

Three Little Pigs by Edward Lee

When you frequent literary circles you find yourself asked questions like, “What is the best opening line you’ve ever read?”

For many years now, my answer to that question has invariably been The Pig by Edward Lee. I won’t include the quote here, because it’s sure to force one algorithm or another to reject my review of this single-volume trilogy. Suffice it to say, it’s irreverent, humorous, captivating, and vile…all things that virtually insist that the reader keep on going. The discerning reader will be satisfied to discover that the rest of the tale is similarly irreverent, humorous, captivating, and vile. I had the pleasure of reading The Pig and The House in a single volume quite some time ago, but this new edition from Evil Cookie Press is a trifecta, in that it includes an additional installment, picking up the loose threads left behind and running with it until anything sane is unraveled. If there’s a trigger warning out there, this volume contains the associated trigger.

The meta commentaries from the perspective of the author are an excellent touch in this new installment, providing an amusing insight into the creative mind behind this perverse and sordid tale of an isolated house on an isolated tract of land where truly awful things have taken place over a handful of decades. If you had the pleasure of experiencing this unlikely vacation spot in the previous glimpses of the 1970s and the early 2000s, you won’t be disappointed. There’s a sense of coming home as Lee invites us to revisit the haunted house in the modern day–when everything comes full circle and we are truly introduced to the monstrous forces at work. If this is your first visit–well, then–I truly envy you the opportunity that awaits.

The Shadow Within by Eric Butler, Narrated by Micah Cottingham

Eric Butler takes us on a soothing vacation to small-town America in The Shadow Within. Like many small towns, there aren’t a lot of amenities available, law enforcement is minimal and the members are unprepared for major events, sinister forces influence the people, the land and people are cursed, and horrors lurk in the shadows. If this isn’t your idea of what small towns are like, then we’ve been reading vastly different books. Nevertheless, when Jack and Jill go up this hill, there’s little more than disaster and trauma awaiting them.

Jack heads to the countryside with his children and new girlfriend, hoping to introduce them to each other under relaxing and peaceful conditions at the family home he hadn’t visited in years. Everything seems like it might be going well, and then Butler pulls the rug out from under you. Of course, you had to know this was going to happen. It’s that kind of book, isn’t it?

There’s no way Jack and his family could be prepared for what happens when a monster comes home. A centuries-old evil presence that found a host within a troubled young man with a propensity for violence has returned to the place they were bound…and the kindred spirits delight in the graphic torture and murder of anyone who crosses their path.

Butler introduces you to his characters, lets you get to know them, and then proceeds to put them through absolute hell in the most captivating ways. He pulls no punches and forces you to witness the atrocities…sometimes after the fact, but often while they’re happening. You may find yourself discomforted at times…but again, it’s that kind of book, isn’t it?

The narration from Micah Cottingham is fantastic, and it does the narrative justice.

You can also obtain this title for yourself by going to http://www.godless.com

Daemonica

On August 3rd of 2021 I released Daemonica on the Godless platform. Daemonica is a stand-alone short story introducing readers to the larger story of Daemonica In Claritate, to be released at a later date.

Orphaned for the second time in her twenty-one years with the death of her older brother, Ethan, Layla Torres has been spiraling out of control. When she discovers the truth of what happened to Ethan and his friends, the secret stash of an entirely new drug in her brother’s belongings provides her with a chance for revenge. It’s a chance she’ll happily take.

The link to this title on http://www.godless.com is below:

Daemonica by Nikolas P. Robinson

Until the Sun by Chandler Morrison, Narrated by John Wayne Comunale

You’re a 15-year-old boy living with a foster family when you awaken to the sounds of shattering glass followed by what can only be violence. This isn’t the first time your short life has been punctuated with instances of horrific bloodshed, and if you choose to join the band of peculiar killers reveling in the chaos they’ve created in what is your third home in only a third as many years, this most certainly will not be the last. Don’t worry, this isn’t a choose-your-own-adventure story, and this pivotal decision is taken out of your hands and placed in the skilled, albeit sadistic custody of Chandler Morrison.
Entering the dizzying narrative of Until the Sun, you’ll be swept along currents of blood, strange drugs, and adolescent hormones until you find yourself standing dazed, in the sunlight of a new day, waiting for the ride to end. Morrison thoroughly captures that sense of being caught up in a life that feels entirely out of your control. This extends so far as to include the fact that, as a reader, you’ll see the final moments coming long before our protagonist does…and you’ll experience sensations that range from pity to heart-wrenching sympathy as you witness events unfolding.
We’re forced to wonder–if we’re being honest with ourselves–whether we’d be any more capable of wresting control from those who steer us along the destructive path ahead of us if we’d experienced the same tragic and disorienting life of young Casanova. I suspect we’ll never know, and we should be grateful for the fact that the dreadful sequence of events befalling that young man could only happen in fiction.
Morrison provides us with a vampire story that is both more and less than that. Until the Sun is a dark, twisted, and perverse coming-of-age tale that abruptly detours us through the worst possible paths to reach the conclusion. A conclusion, I might add, that is equal parts hilarious and cruel in both its predictability and subversion of what a reader might expect when first choosing the book.
John Wayne Comunale’s narration is effective in bringing to life the characters who often feel like caricatures of people we might have known in our own lives, or maybe people we’ve been at different points in our lives. There probably isn’t a narrator who would have been better suited for this drug-fueled, bloody, and irreverent combination of various horror subgenres.

My Best Friend’s Exorcism by Grady Hendrix

My Best Friend’s Exorcism is a nostalgia-packed excursion into the life of adolescent girls in the 1980s. We meet Abby and Gretchen when the girls are in fourth grade, as Abby attempts to celebrate her birthday party at a roller-skating rink. Alone with her family, Abby fears no one will show up, but the strange new girl from school appears. What begins as an awful experience for the birthday girl develops into the best friendship either of them could hope for.
We’re provided with snapshots of the friendship between these two girls throughout the narrative, the bulk of the story devoted to character development.
The meat of the story picks up when the girls are in their Sophomore year of high school at the prestigious Albemarle private school. They’re near the top of the class, and they have bright futures ahead of them. That’s when everything changes. Abby finds herself helpless as she watches Gretchen changing into someone she no longer recognizes, and everything becomes a dizzying nightmare of lies and manipulation that she struggles to navigate while learning that there’s more going on than she can easily comprehend.
As a story about friendship and coming-of-age, it’s pretty fantastic, really delving into what it means to be best friends from childhood. As a horror or thriller story, it falls well short of the mark. I have the same issue with this Hendrix novel as I had with The Final Girl Support Group, in that the story grows tedious before it truly begins to get to the point where anything is happening that propels the narrative forward. Much like that novel, when this story starts getting good, it gets great, but it takes an awfully long time getting there. There are points when it appears to be picking up speed, only to revert to a meandering, detail-filled exploration of Abby’s day-to-day life, and it was challenging to make it through those intervals.
The narration provided by Emily Woo Zeller brings this story of youth and friendship to life in a way that it desperately required. Her performance of the various girls, notably Abby and Gretchen, was terrific. The voice provided for Christian (The Exorcist) was amusing and captured the absurd, muscle-bound character in such a way as to make him almost feel real. The audiobook edition of this novel made an otherwise unsatisfactory experience a much better one, and that is due entirely to the quality of the narration provided.