The Damned Place could be considered the spiritual successor to Stephen King’s IT, transported into the 1990s from the 1960s of King’s pivotal masterpiece. Coming of age tales are a familiar substrate upon which horror authors can build a significant sense of dread and high stakes, relatable terror–after all, we were all children once upon a time, complete with imaginations and an unflappable sense of our own invulnerability. Some attempts are more successful than others, and Chris Miller’s foray into the subgenre is massively successful. Deep in the woods is a dilapidated house with a history so unspeakably awful that almost no one in the nearby town of Winnsboro remembers it exists. When a group of friends stumbles across the house, they unwittingly draw the attention of a monstrous, hungry creature hoping to slip through the border between worlds and into ours. It’s in this place that they also discover their world is more magical and unreal than they’d have ever expected. Miller provides readers with an unflinching, uncensored glimpse of a world populated by bullies, tragedy, and alien beings. With gritty, grimy realism, Miller drags us into the story he’s crafted, forcing us to bear witness to extreme depravity and cosmic horror in equal measure. Gone is the infamous underage sewer orgy of King’s novel, but don’t worry because Miller manages to add plenty of discomforting and unsettling elements to his book. But it’s not all about the terror, The Damned Place is also about the strength of friendship and the courage found in the face of impossible conditions. Daniel Caravetta’s narration captures the accents and speech patterns of the characters in a way that makes them jump off the page for the audiobook edition of Miller’s novel.
Just as the nightmarish and unfathomable events of Abhorrent Siren are reaching their feverish conclusion in San Antonio, the events of Abhorrent Faith begin. An inclusive, interfaith potluck hosted by a local Rabbi is interrupted by a hideously transformed–and transforming–monstrosity and the rabidly bigoted evangelical preacher seemingly controlling it. As the world outside the synagogue devolves into chaos and madness, a different sort of madness is on display in the defiled sanctuary. Baltisberger packs this follow-up to his previous novella with just as much perversity and horror but a different brand of social commentary. The scathing indictment of the opioid epidemic is still present, but that takes the backseat as he focuses his ire on bigotry, nationalism, and the anti-semitism embedded in altogether too much of society–and human history as a whole. Calling out the inherent hypocrisy, scriptural ignorance, and mental gymnastics embedded within right-wing Christianity, one can’t help but feel a thrill each time Ari stands up to Adrian King. At the same time, one can’t help but feel the almost tearful frustration and anger at Ari–or anyone–having to contend with the level of ignorance and hate given unworthy life in the story’s antagonist. It doesn’t take long for the reader to recognize that the monsters aren’t all outside, and I’m not talking about the infected, mutating members of Ari’s interfaith circle. Altogether too much of this narrative is non-fiction, in the sense that these abhorrent acolytes of intolerance and acrimony are everywhere one looks, and the anti-semitic sentiments are alive and thriving wherever people like that are platformed and given attention. Baltisberger is angry over this, and that anger seethes beneath the surface of his spectacular storytelling in this follow-up to Abhorrent Siren. The discerning eye might recognize a certain similarity between the cover art and a certain evangelical nut known for unhinged rants and barely suppressed bigotry. This is not an accident.
This title is available through multiple avenues, but you can pick it up for yourself by going to http://www.godless.com or by downloading the Godless app to your mobile device. The link is below:
Bel, The Last Dragon begins in the Land East-of-Nod, a dizzying and unreal metropolis populated by beings that defy easy description. Not altogether dissimilar from Barker’s Midian–though the nature and scope of this story is far more grand than Cabal–there’s a certain flair and beauty from which one definitely feels a Barker-ish flourish as Bel wanders the streets of this hidden city. Bel, long believed dead, believed himself to be deceased as well. During the American Civil War, he’d sacrificed himself in the centuries-long War of Dictates between the Sheydim and the Watchers (fallen angels bent on molding the human world to their twisted whims). Following that sacrifice, Bel’s fellow dragons sacrificed themselves in retaliation, each falling in turn, though the tide of the long war only marginally swayed in the direction of the Sheydim. No longer solely the first, Bel awakens outside the Land East-of-Nod as the last dragon. Enraged and distraught by the loss of his brethren and the minimal benefit gained by their sacrifices, Bel wants revenge. Advances and knowledge gleaned during his centuries of restorative slumber have provided Bel with a chance to obtain the revenge he seeks. A series of islands existing in a strange tangential space separate from the human world is ruled over by Watchers who seek dominion, independent of their brethren. Here, the Sheydim and their allies have a chance to strike profound blows against the power of the fallen angels, to gain strength and the expertise necessary to ultimately assault the Watchers divying up the human world. In this place, Bel will mete out the bloody, fiery vengeance that drives him as he learns to work with those who have fought this war while he slumbered in near-death. The first target is the jungle island ruled over by Habbiel and his forces. Whether you’ve read the epic poem, War of Dictates, you’ll benefit from diving into this tale of cosmic horror and fantasy crafted by Baltisberger. If you’ve had the pleasure of reading War of Dictates, you’ll be pleased to see familiar faces in a format more conducive to truly getting to know them. If you haven’t read the poem, this can be your introduction into the realm of War of Dictates and a primer of sorts that can make your journey through that twisted and violent epic all the more complete.
This title comes out in May of 2022. A link will be added once it becomes available.
Waking up can be a bit disorienting. Waking up to a large room full of people attending your funeral would be vastly more confusing and horrific. For Gregory Laine (Gory), this is how it all begins. It’s only natural for a zombie to eat, but Engkent goes one step further and offers both a motivation and a purpose behind that constant drive to consume. With a mouthful of his girlfriend’s breast, Gory is captured by agents working for iASK, the Institute for Abnormal Scientific Knowledge, before he’s carted off to a secret facility where the institute hopes to study the properties that have resurrected him. In this miraculously undead specimen, the keys to various scientific and metaphysical mysteries could be revealed–if only the dead man would cooperate. Can anyone be prepared for the changes Gory is undergoing? What surprising revelations does he have in store for those hoping to monitor him, his former friends, and himself? Garry Engkent provides readers with an often-overlooked perspective within zombie fiction–the perspective of the dead–and he does so in a way that sets itself apart from the work of David Wellington, George A. Romero & Daniel Kraus, and others who ventured into this territory.
You can obtain this story as well as the other Emerge titles by going to http://www.godless.com or by downloading the Godless app to your mobile device of choice. The link is below:
When the Haskins family moves halfway across the country from their previous lives in Columbus, Ohio, no one would’ve expected the dramatic changes that accompanied their move into the new home. It begins almost immediately, as little things change and strange messages appear, but it gets weirder from there. As the atmosphere becomes increasingly surreal and unsettling, it’s the strained and peculiar relationship dynamics within the Haskins family that accelerate everything. The odd occurrences grow more sinister as the story progresses. In large part, thanks to Damien’s need to torment his mother out of bitterness that she’s always suspected him of being a monster. Hal’s thinking his wife’s losing her mind doesn’t help, either. Sabrina is not a particularly bright woman–in addition to being both scatterbrained and indecisive–but the bizarre apparitions and wish-fulfillment manifestations are not symptoms of insanity. Unfortunately, it’ll probably be too late by the time the rest of the family figures that out. Asman has crafted a wholly unique haunted house story, turning the whole thing on its head and steering readers toward a climax no sane reader would see coming. It’s both amusing and perplexing along the way, and–as one should expect from Asman–the characters are so thoroughly captivating that they draw the reader in just as effectively as the narrative itself. If you want to avoid spoilers, you should probably stop here because I can’t avoid saying things that will ruin some of the surprises. This is indeed a haunted house story–in a whole different sense. A house that’s haunted by the neglect and mistreatment of its former resident in the same way a person can be haunted by their earlier life experiences. Much like a person troubled by trauma, the house seems to go a bit overboard, overcompensating when it thinks it might have found someone who can love it for what it is. With a single-minded, short-sighted fixation on Sabrina and her well-being, the house itself might be acting with questionable judgment. That questionable judgment becomes readily apparent as the house uproots itself and storms through town like the most unlikely kaiju ever, heedless of the damage it causes along the way. The moral of the story is that houses need love too.
Setting the stage and whetting the appetite for his upcoming novel, Addicted To the Dead, Shane McKenzie’s Like A Brother provides readers with a tantalizing glimpse of a world where the dead don’t stay dead and organized crime is going strong–perhaps stronger than ever before. We join Donnie, a member of Sal’s crew, just after another crime family interrupted a funeral and spirited away Calico and the object of the funeral, Beauty. Sal is planning to attack, and take back the people who were taken from him. But his enemies aren’t done yet. Barely surviving the bloodbath that ensues, Donnie struggles to reach his family and the families of the others who’d just been murdered, but he might be too late. Will Donnie have the strength to take revenge and perform the rescue that Sal’s crew had intended before they were all but wiped out? Will he ever see his friend–his almost brother–Calico again? McKenzie introduces us to a world of casual, excessive violence and a thriving black market built on the nourishment provided by an unsavory meat supply with unique characteristics. After reading this story, you’ll surely be addicted as well.
You can pick this up for yourself by going to http://www.godless.com or by downloading the Godless app to your mobile device of choice. The link is below:
Immediately after Nazi scum kidnapped his romantic interest, Esther, John Stabberger sets out on a recovery mission that’s sure to produce copious amounts of blood and carnage. This is John Stabberger we’re talking about, after all. With the assistance of a celestial entity of indescribable appearance, Stabberger’s quest for vengeance and rescue leads him straight to the Texas Governor’s mansion–as one might suspect, when there are Nazis involved. The Governor isn’t the only familiar face readers will encounter on Stabberger’s bloody rampage. He’s hardly the only bigot involved with Texas politics. Stabberger as well will come up against some familiar faces from his past on his way to retrieve Esther from the clutches of the Nazi menace. Stabberger has faced challenging odds in the past, but will his rage and seemingly inexhaustible surplus of murderous implements be enough to take him through the countless guards, Nazis, and Nazi guards standing between him and his target? Will there be a surplus of long pig for carnitas in Hell after everything is over? Will you just read the damn story for yourself to find out?
This and the other Godless League titles are available from http://www.godless.com or through the Godless app on your mobile device. The link is below:
Following the events of Concrete Christmas, Slaughterdozer is out of commission and transported to a secret Globoshame facility where he can be studied and held securely captive. All of that will change when a wannabe actor and two-bit criminal, Chance McAlister, is forced to take a job with one of Charles Busk’s companies to pay penance for attempting to rob his distant in-law. Chance never anticipated he’d be coming face-to-face with a monster of living concrete or that his coworkers would be grade-A douchebags, but life works out that way for him. Seeing The Doze from a different perspective, that of a relatively innocent bystander with no love lost for Globoshame or its CEO, Charles Busk, Stepek provides readers with a glimpse of just how inhuman Slaughterdozer appears from the outside–and how human he can still be. Will The Doze escape from his confinement? Will McAlister work off his debt to Globoshame? Will you just read the damn story and find out for yourself?
You can pick up Stalk of Shame and the other Godless League titles by going to http://www.godless.com or by downloading the Godless app to your mobile device of choice. The link is below:
If you can imagine the natural outcome of the much-maligned ninth installment of the Friday the 13th series, Jason Goes To Hell, you’ve got some idea of what you’re in for with Reincarnage by Ryan Harding and Jason Taverner. With the titular Agent Orange, Vietnam Veteran turned slasher extraordinaire, we have a masked, seemingly immortal serial killer who routinely returns to slaughter people who make the mistake of venturing into his territory. The government knows he exists, and they know they’ve found no way to stop him in his murderous rampages more than temporarily. The only solution is to evacuate the region and build a fortified perimeter around the region Agent Orange inhabits. Patroled by military personnel tasked with killing him, again and again, to keep him contained within the walls, the perimeter isn’t perfect but it’s all that separates Agent Orange from the outside world. Taking a page from Arkady and Boris Strugatsky’s Roadside Picnic, Harding and Taverner imagine a culture of “stalkers” developing; brave or insane souls who venture into the kill zone for memorabilia, or for the sake of saying that they survived crossing into Agent Orange’s territory. At the point when Reincarnage takes place, Agent Orange has become as much a part of pop culture as Charles Manson or Jason Voorhees. Books, video games, and collectibles of all sorts proliferate the world the authors introduce us to. When eleven people wake up in an otherwise abandoned hotel, it doesn’t take long for them to realize they’re on the wrong side of the walls, with no idea how they got there or why they’ve been deposited in the last place any of them would want to be. Conspiracy theories abound, but answers are harder to come by. Maybe, if this band of survivors could find the time to catch their breath and think things through, they could discover why they’re in the ghost town of Morgan and who would want to leave them there; but the number of survivors is steadily diminishing, and staying still for too long only invites disaster. Will anyone stay alive long enough to discern the truth? Will anyone escape? You’ll have to read it to find out. This edition of the book includes additional material focused on another group of survivors venturing through the kill zone simultaneously, with no better fortune favoring them.
You can obtain this edition of the book by going to http://www.godless.com or by downloading the Godless app to your mobile device of choice. The link is below:
This is the third of the releases in D&T Publishing’s emerging authors series in partnership with Godless. There hasn’t been a lackluster piece of writing in the bunch. 1855 is no exception. Victorian-era photography is rife with eerie elements that were commonly in practice. Jacob Steven Mohr, in a flash of brilliance, decided to place “hidden mother photography” at the core of his story, 1855. When the quiet, strange Italian boy winds up in the orphanage, the language barrier makes it all but impossible to determine what’s happened to his family and how he found himself in the care of the sisters and director Timothy Ford. The arrival of a priest who can translate the child’s story leads the characters down a path punctuated with sinister disappearances and evidence that a mother’s love and protection of her child never fades. It’s the story of a father whose grief wouldn’t allow him to bear the sight of his deceased wife, and the consequences that follow. While this is a horror story, it’s also a heartbreaking glimpse of a child lost in the world and unable to recall his own mother’s face. This is a period tale of tragedy and sadness as much as anything else, and it’s brought to life with expert quality with Mohr’s writing.
You can pick up 1855 and the previous Emerge series of stories by going to http://www.godless.com or by downloading the Godless app to your mobile device. The link is below: