suspense

Squid Game (2021)

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I’d been seeing a whole lot of hype about the Korean mini-series Squid Game on Netflix for a while before I took the time to watch it for myself. I hadn’t been dedicating much if any, time to watching movies or television shows for what turned out to be quite an extended interval. I have to say that Squid Game was a damn fine way to return to watching a series.
While the overall narrative isn’t entirely original, its various components are assembled in such a way as to create a rather unique and exciting experience. Hugely reminiscent of Battle Royale, Squid Game incorporates elements familiar to fans of The Running Man, Tzameti, Series 7: The Contenders, and the old BBC series The Prisoner. While mingling all of these diverse elements–as well as other sources of inspiration–it transforms itself into a captivating and largely unpredictable story that retained this particular viewer’s attention throughout.
Primarily following Lee Jung-jae’s Seong Gi-hun, we’re introduced to a man living a life of regret and poor decisions but who is, at heart, a genuinely decent guy. It would be easy to suggest he’s a degenerate gambler and a deadbeat father, but there’s a whole lot more to him than that, and it’s quite clear that there’s a stubborn streak of optimism and desire to do right that motivates him along the way.
When presented with a mysterious opportunity to potentially change the course of his life and keep his daughter nearby, Seong Gi-hun accepts a fateful invitation that will certainly change his life forever, assuming he manages to survive.
Along with 455 other people, including his childhood friend Cho Sang-woo (played by Park Hae-soo) and a pickpocket he only briefly encountered, Kang Sae-byeok (played by Jung Hoyeon), the numbered contestants wake up in a large auditorium, wearing jumpsuits. The collection of mostly strangers are greeted by armed and masked workers who carry out the commands of the even more mysterious Frontman.
Led to the first game of the challenge, the sinister reality of their situation becomes terrifyingly real and the remaining contestants must determine whether the potential reward outweighs the all-too-real risks associated with the games they’re expected to play.
It’s all but impossible to write anything more than this without giving away spoilers. I don’t know if I should even worry about that, knowing how popular the series happens to be, but I’m sure there are plenty of people still sitting on the fence and uncertain whether they should watch the series, and I can’t help but say that they’d be making a mistake by not settling in for the series.
When the sixth episode concludes, only the most inhuman of us would be left unmoved and devastated. Consider that a fair warning, that you’re going to hurt while you’re watching the events unfold, helpless to do or say anything to change what we’re witnessing.
The only thing I found disappointing in the whole nine-episode series was the final moments of that concluding episode, and that wasn’t enough of a disappointment to sour how I feel about the show as a whole.
As a commentary on the predatory and toxic aspects of capitalist systems, Squid Game succeeds where plenty of other movies and series have failed to elevate the conversation. The mysterious Frontman says it best when he suggests that the goal is to give the 456 contenders an equal chance, where the outside world made equality a virtual impossibility.

Aliens: Infiltrator by Weston Ochse, Narrated by Bronson Pinchot

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I don’t know when–or even if–I’ll have a chance to play Aliens: Fireteam, but listening to the audiobook for Weston Ochse’s Aliens: Infiltrator certainly sets the stage for a fascinating and original action/horror gaming experience. If I never get around to playing the game, it won’t be for lack of interest, and it certainly won’t be due to this book disappointing me.
The protagonist, Dr. Hoenikker, serves as a cipher of sorts, the lens through which we experience the introduction to the Weyland-Yutani scientific facility. While there’s ample character development across the board, Hoenikker being the newest member of the scientific team provides us with a great opportunity to experience everything through a fresh set of eyes. With his military experience, Ochse does a fantastic job bringing the supporting cast of characters to life, particularly the former Colonial Marines on staff at Pala Station.
With Murphy’s Law in full effect, Dr. Hoenikker joins the crew of Pala Station just as an infiltrator begins a campaign of corporate espionage. As with the real world, this relatively small trouble of spying and theft escalates in a cascade effect that explodes into an utter nightmare by the conclusion. Laboratory experiments go horribly wrong, communication breaks down, and everything falls apart.
Experimenting with what we’ve come to think of as the black goo from the Alien prequel films from Ridley Scott, we encounter some interesting and dangerous creatures produced from the local fauna, potentially more deadly than the Xenomorphs we’ve all come to know and love. This being an Alien novel, of course, there are Xenomorphs in the mix, and we get further exposure to how the black goo can modify the outcome of the genesis taking place.
Bronson Pinchot’s narration is sufficiently skilled that the characters almost always sound distinctly separate and discernable as individual actors in the narrative playing out. I especially enjoyed the performance for Rawlings, who I couldn’t help but picture as an African American Matthew McConaughey. The only instances where Pinchot’s narration failed was concerning female characters, but I’ve heard worse over time.

Sherlock Holmes and the Shadwell Shadows by James Lovegrove, Narrated by Dennis Kleinman

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James Lovegrove writes himself into the narrative with The Cthulhu Casebooks, in a fictionalized account of his own life in the preface to this tale. As a distant relation to the former H.P. Lovecraft, a parcel finds its way to him upon the passing of another member of the Lovecraft family.
Contained within is a trilogy of manuscripts penned by Dr. John Watson, confidant and partner of Sherlock Holmes. In the tale that unfolds, we learn that the meeting of Watson and Holmes did not transpire as we’ve come to believe. Additionally, further elements of Watson’s previously available documentation of the cases he and Holmes investigated have been fictionalized to protect the world from forbidden knowledge of things best left unknown.
From the deserts and mountains of Afghanistan to long-forgotten catacombs beneath London, a global tale of unspeakable horror emerges. Upon meeting one another, Holmes and Watson find themselves in pursuit of answers to a rash of ritualistic deaths occurring during the new moon. What they discover will leave the pair, as well as other familiar characters from the Holmes’ archives, changed in ways never hinted at within the released accounts from Watson.
All-in-all, this was a worthwhile mixture of the Lovecraftian mythos and the characters developed by Sir Arthur Conan Doyle. The writing style emulates Doyle’s prose surprisingly well, and the insertion of creatures like Nyarlathotep and Cthulhu into the narrative was performed seamlessly. The story itself didn’t impress me quite as much as I’d hoped, but it was decent enough to nudge me toward checking out the additional two volumes in this series.
Dennis Kleinman’s narration of Watson was quite fantastic, as was his performance of Holmes’ dialogue. Sadly, the other characters felt perhaps a bit less set apart from the background. This is not to say that they weren’t distinct enough to tell them apart, because he managed that quite well, just that they weren’t brought to life in quite the same way the two protagonists were.

https://www.audible.com/pd/The-Cthulhu-Casebooks-Sherlock-Holmes-and-the-Shadwell-Shadows-Audiobook/1094095028?action_code=ASSGB149080119000H&share_location=pdp&shareTest=TestShare

Poisoning the Well by Todd Love

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Poisoning the Well begins with a short, shocking tale of Trevor Wolf defying authorities and braving a life-threatening storm to get home to his wife, only to receive a startling homecoming the reader shouldn’t see coming. With this auspicious start, Todd Love invites us on a journey through thirteen brief tales that will leave you wishing he’d given you more.
Spiders deposit clutches of eggs in horrible places.
Irish myths and legends are examined.
The reader will experience equal parts nostalgia, amusement, and horror as Halloween of 1988 is brought to life in a way any child of the 80s will appreciate.
And that is only a small sample of the stories you’ll have to look forward to.
You will be satisfied.
You will be entertained.

This title was released as part of the http://www.godless.com 31 Days of Godless event to celebrate October of 2021. You can snag it for yourself by going to the website or by downloading the app on your mobile device. The link is below:

Poisoning the Well by Todd Love

Wasphead by Ash Ericmore

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Reed is the fourth of the Smalls brothers we’ve had the pleasure of meeting, and it could be argued that he might just be the most unstable and disorganized of the bunch.
In Wasphead, we discover a man who prides himself on a certain level of decorum and a pretense of organization and planning, but he is clearly quite lousy at formulating and executing a plan. With the help of his recently adopted associate, Reed Smalls takes on a risky, high profile job that stands to put him in direct conflict with a local crime boss. Thankfully, for us, nothing goes even remotely according to plan. As the story progresses to a messy, fluid-drenched, and dismembered conclusion, we can only hope to hold on for the ride.
Reed might be my least favorite of the Smalls brothers we’ve met so far, based on personality alone, but his misadventure is no less captivating than the previous three. The fact that this character is so starkly different from the others we’ve encountered is an excellent display of how thoroughly diverse in their disfunctionality the Smalls brothers are. I can’t even begin to imagine what’s coming next.

Wasphead is available as part of the 31 Days of Godless event at http://www.godless.com for October of 2021. You can pick it up for yourself by going to the website or by downloading the Godless app. The link is below:

Wasphead (The Smalls Family IV) by Ash Ericmore

Bliss by Ash Ericmore

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Bliss introduces us to the next of the Smalls siblings, Adam. When we meet Adam, he’s lurking in an alley as a solitary police officer approaches, waiting for his chance to strike. The day was turning out quite differently from how Adam expected.
The day began with some pegging. Look it up. Sadly, the erotic escapades were rudely interrupted, leading Adam on one hell of an adventure involving the Eastern Europeans, some locals who might have mistaken Adam for Edward, human trafficking, and a most unique fashion statement blending protection and style.
Like all of the members of the Smalls clan we’ve been introduced to thus far, Adam has a certain moral flexibility and perversely dark humor. Unlike the previous two brothers readers had the pleasure of meeting, Adam seems perhaps less professionally adept at committing murder and a bit more fluid and driven by poor impulse control. It seems like he’s found the right woman, though, as she seems to compliment him well.
These damn stories are just so good, the fast-paced action and black comedy infused into the few pages is potentially addictive.

You can read Bliss for yourself by going to http://www.godless.com or by downloading the Godless app to your preferred mobile device. The link is below:

Bliss (The Smalls Family III) by Ash Ericmore

The Final Girl Support Group by Grady Hendrix, Narrated by Adrienne King

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The Final Girl Support Group is Grady Hendrix’s addition to the meta-slasher subgenre of literature. In some ways, this book succeeds in breaking new ground and adding a unique voice and commentary, though I couldn’t help but find the overall story disappointing. While I found the writing/narrative style of The Last Final Girl jarring and occasionally disruptive to my enjoyment, I would recommend either that or My Heart Is a Chainsaw, both by Stephen Graham Jones, over The Final Girl Support Group. If you’ve already read and enjoyed those two books, there’s no harm in checking this one out.
The best element of this novel is the commentary on slasher fiction provided by the author. Hendrix infuses the narrative with critiques on the latent misogyny involved in slasher films, the unhealthy obsession with serial killers, violence in society, and the psychological effects of trauma.
Shared via the unreliable narration of Lynette Tarkington, the survivor of the Silent Night Slayings (think Silent Night, Deadly Night), the narrative leads us along in a stuttering, stumbling adventure. We experience a world where alternate versions of the slasher flicks that defined–and redefined–the genre were based on real people and events. The survivors of these massacres make up the titular Final Girl Support Group; Adrienne (Friday the 13th), Marilyn (Texas Chainsaw Massacre), Dani (Halloween), Heather (A Nightmare On Elm Street), and Julia (Scream).
After Adrienne’s murder and an attempt on Julia and Lynette’s life, Lynette finds herself unable to remain in the false safety and security of her life of isolation, obsession, and paranoia. She was never as safe as she believed herself to be, and she’s convinced that her sister final girls are in danger as well. But will anyone listen to her? Is there a conspiracy to slaughter all of the final girls, or is Lynette jumping at shadows that exist only in her traumatized mind? Will the truth be revealed before it’s too late?
The twists are nothing readers won’t see coming, whether by design or not. Readers will find themselves wanting to shout at the pages–or along with the audiobook–the same way viewers shout at the screen, screaming for Lynette to put the pieces together correctly as we helplessly watch her fumble and chase red herrings.
The audiobook was narrated by Adrienne King, the final girl from Sean Cunningham’s Friday the 13th. There perhaps couldn’t have been a better choice of narrator, as one of the first final girls of film history and someone who experienced real-life horror in response to that role. King brings Lynette to life in a way no other narrator probably could as well as successfully tackling the voices of the supporting characters.

Horrorgasm by Nikki Noir

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Molly Massacre’s HorrorGasm page on FANdom is successfully drawing subscribers with her horror-themed camgirl antics. She’s generating income at a rate most girls on FANdom would probably kill for, but everything is far from perfect. Molly wants out of the life she’s living with her narcissistic, domineering, drug-dealing boyfriend, Chad.
With the assistance of her best friend (and business manager), Selena, Molly has a plan to escape from her boyfriend and to start a new life. For her final HorrorGasm performance, with a Texas Chainsaw Massacre-inspired vibrator, Molly raffles off the chance to go on a date with her, and the plan seems to be wildly successful.
Unfortunately, Chad’s increasingly erratic behavior and the white knight fantasy of a HorrorGasm subscriber, Dylan, send the plan off the rails. Will Molly Massacre’s HorrorGasm ultimately lead to true horror? You’ll have to read the story to find out.
Unlike a lot of Noir’s fiction I’ve read, there is no supernatural/paranormal element to this tale. Horrorgasm is a straightforward thriller with a heavy erotic component. Don’t dismiss this story for the lack of surreal horror. Nikki Noir is no one-trick pony, and she’ll have you speeding through the pages, desperate to see where she leads you.

Horrorgasm is a Godless Exclusive title and you can obtain it for yourself at http://www.godless.com or by downloading the Godless app on your smartphone, tablet, or Kindle device. The link is below:

Horrorgasm by Nikki Noir

Brand New Cherry Flavor by Todd Grimson, narrated by Marguerite Gavin

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Brand New Cherry Flavor is a book packed with originality and uniqueness. There’s a potential within this story, a barely suppressed tension and horror seething just below the surface, that sadly never quite reaches fruition. My comment on wasted potential is not to suggest I didn’t enjoy the story because it was surprisingly enjoyable. I feel almost as though the lack of gratification or fulfillment was an intentional stroke by the author. Consider it a page from the Bret Easton Ellis playbook, metafictional and intentionally subverting the expectation of the readers.
Lisa Nova is, for the most part, not a likable character. Throughout the narrative, she fluctuates between appearing vapid and slyly witty while perpetually coming across as shallow. Being unlikeable does not, however, make her unsympathetic. Witnessing as her life spins out of control with an increasing cost in collateral damage, it would be challenging to dismiss her plight.
We join the tale just as Lisa’s passed over for a promised role as the Assistant Director on a major film project. This position had been promised to her by Lou Burke, the man she’d been having an affair with up until that point. As a concession, her now-former lover sends her to meet with people who will capitalize on her looks by paying her to star in a pornography adjacent film. Lou Burke, or as Lisa repeatedly refers to him, “Lou Greenwood, Lou Adolph, Lou Burke,” is a class act. He deserves to have a fork stabbed into his leg.
Incensed, and seeking revenge, Lisa goes to her ex-boyfriend, Code, to inquire about a hitman she’d heard about through him. This leads her to Boro, and the rest of the story evolves in its phantasmagoric way from that interaction.
Traveling from Hollywood to Brazil, from Brazil to New York, and from New York back to Hollywood, Lisa discovers that Boro has not only taken the job of destroying Lou Burke–and his family–but is also providing Lisa with the power to shape the world around her in ways many people could only dream of.
Psychic tattoos, a mythological white jaguar, zombies (of the voodoo variety), drugs of all flavors and varieties, magical filmmaking, mirrors that show the past, and a garden of human limbs are only some of the more bizarre elements of this story.
Though I enjoyed this book a good deal less than I would have liked, I can certainly understand the appeal it has for other readers/listeners.
The audiobook narration supplied by Marguerite Gavin made the story more enjoyable than it might have been without such a competent narrator. She certainly managed to fully convey the character of Lisa Nova better than I think many narrators could.

Ex Machina (2014)

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This review was originally written in July of 2015

Ex Machina starts off slow but remains compelling from the beginning through to the end, and it managed to prove itself to be easily the most well-written and well thought out story to touch on this subject matter.
Chappie was entertaining and sort of sweet, Age of Ultron was exciting, but Ex Machina was the best and most honest exploration of artificial or emergent intelligence I have witnessed on screen.
Everything from the introduction of Ava, through the process of getting to know her as she is put through a protean sort of Turing test by a gifted coder, to the intense and chilling (but somehow still understated) climax of the film is insanely captivating.
The interactions between the relatively naive Caleb (the programmer) and the erratic and controlling Nathan (his boss and the man who developed Ava) fluctuate between bizarre and somewhat friendly but with an ever present sort of tension that builds as the narrative continues.
The true star of the movie is Ava herself, portrayed by Alicia Vikander…and she most certainly shines in her role, showing that it might not be the best idea to strive for human emotional development and sexuality when working towards AI.
Elements of the movie definitely take a cue from Bladerunner…questions of identity, what it is to be human, and how far we might go in simulating humanity when creating a new form of life…in addition to exploring all too common human issues like insecurity, desire, and mistrust.
I want to say more. I want to discuss specific points in the narrative, but I don’t want to include any spoilers. I hope that you’ll see it for yourself. There is no doubt in my mind that this is one of the best science fiction movies I will see in a good long while, and I believe you will feel the same if you take the time to watch it.