Uncomfortably Dark

Have A Blast

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In 2022 I was invited to write a short story to be featured in an anthology focused on Wrath, as part of a series of anthologies centered around the Seven Deadly Sins. I was enthusiastically on board. Revenge and wrath are close to my heart, where fiction is concerned.

Unfortunately, I ran into a couple of issues that led to my inability to submit the story I’d been writing–not the least of which was that, upon rewriting the story, it exploded to almost double the word count expected by the publisher. I felt defeated and like I’d let the publisher in question down by not getting them the story I’d eagerly anticipated sending their way.

When Candace Nola started talking with me about rewriting/revising Innocence Ends, she asked if there was anything new I’d be interested in sending her way. I quickly wrapped up the loose threads I hadn’t tied off in the revenge story and sent it her way.

She wanted it! She had some requests and suggestions for areas she wanted me to expand on, and the story grew to just about the short end of what’s considered a novella.

And so, on August 5th of 2024, Have A Blast explodes onto the scene.

Molded by war and disfigured by a roadside bomb, Oliver Clark doesn’t hold out much hope for the future. Then he meets Jayne, and all of that changes. But when she’s taken from him, Oliver sets his sights on revenge.

No matter who it was, he’s determined that they’ll learn how far someone will go when they have nothing holding them back, and nothing left to lose.

Advance Praise for Have A Blast:

Dark Disasters: A Dark Dozen Anthology, Edited by Candace Nola

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I’ll start by saying the same thing I did for my blurb when I read an advance copy of this anthology: “The only thing disastrous about Dark Disasters is the impact it will have on readers. In these pages, you will find devastation of all kinds, but it’s the emotional or psychological devastation that will have the most lasting effects. There were no drills in school to prepare me for what I experienced in these pages. Nola has done it again…lightning strikes thrice, which is fitting, considering the subject matter.”

This is the third of the Dark Dozen anthologies edited by Candace Nola and released under her imprint of Uncomfortably Dark Horror. I had the privilege of reading advance copies of all three, the first and third to supply a blurb, the second because I was one of the contributing authors…and it has been a pleasure all three times.

This anthology is focused, as you might expect, on horror taking place during–or because of–natural disasters. We have rainstorms, landslides, wildfires, blizzards, and so much more…and those are often only the beginning of the horrors facing the characters populating these tales. There are vampires, something akin to cymothoa exigua (the god-awful parasites that replace the tongues of certain fish), ghosts, sentient mud, and all sorts of other nightmarish things awaiting the reader brave enough to thumb through these pages. There’s no conceivable way someone could read this anthology and feel a sense of disappointment, not if they’re looking for horror or hoping to feel their skin crawling.

Be careful, though…there might be a storm coming.

You can also purchase this title by going to http://www.godless.com or clicking the link below:

DARK DISASTERS: A Dark Dozen Anthology

Innocence Ends

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Innocence Ends, which was originally released in August of 2020, is a story of friendship and how far that friendship can be tested. Since its release, it has been one of my most successful titles. It was not, however, successful enough in the opinion of Candace Nola, the founder of Uncomfortably Dark Horror. In late 2023, she asked if I would be willing to remove the existing edition of the novel from publication and allow her to work with me to improve it, slap a brand new cover on it (courtesy of Don Noble), and release it through her publishing house. I agreed, and she quickly got to work. In June of 2024, almost four years from the original release date, the new and improved edition of Innocence Ends found new life.

The concept that forms the substrate of this novel is one that arose from a conversation with an old friend of mine, more than 20 years before the book ended up being published. We’d been discussing that certain B-movie tropes were never played as being serious, and we were sort of disappointed by that fact. You know the tropes I mean, the mad scientist with his manor atop the hillside, the group of friends trapped in a town with a sinister secret, and other such things. Snippets of scenes that would ultimately become part of Innocence Ends were posted on this blog years ago because I’d started writing this book long before I finally sat down and finished it in late 2019 and early 2020. More than two decades in the making, I’m pleased with how this one turned out.

Six lifelong friends meet together in an isolated mountain town in Northern Idaho to commemorate the fifth anniversary of a close friend’s suicide.

A week of hiking, spending time in nature, and a bittersweet reunion soon takes a sinister turn as the friends find themselves fighting for their lives and struggling to survive. A seemingly tranquil community bombarded by late spring storms becomes a trap filled with monsters and threats everywhere they turn.

Terrifying secrets are revealed and the survivors are left to wonder what will be left of the world outside if they can find a way to come through the gauntlet alive.

Advance praise for the new and improved edition of Innocence Ends:

This title is also available through http://www.godless.com at the following link:

Innocence Ends by Nikolas P. Robinson

Baker’s Dozen Edited by Candace Nola

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I had the immense pleasure of reading Baker’s Dozen in advance to write a blurb for the anthology. It seemed only natural that I would also be writing a review of the collection now that the release date is looming on the near horizon. Rarely has a themed anthology come together so perfectly in capturing a motif and carrying it through all of the component pieces included. There is no question that Baker’s Dozen is overall one of the best anthologies I’ll have the pleasure of reading. Paraphrasing what I said in my blurb, this is a delicious concoction, albeit neither safe nor healthy. If you’re looking for those qualities, you’re in the wrong place.
It would have been a challenge, bringing this assortment of spectacularly imaginative authors together and compiling an anthology that wasn’t worth reading; there’s no doubt that Candace Nola deserves a great deal of credit for editing this volume, though. Anthologies are only as good as the editor who brings them together, and there’s no question that this collection was in excellent hands from the beginning.
Christine Morgan kicks it all off with the period piece, Pretzels of God, spinning a tale of jealousy and bitterness, of sacred vows broken most violently and unpredictably.
Apple Pie & Diamond Eyes by Chris Miller tells the story of an aptly-named Karen being in the wrong place at the wrong time. Unfortunately, Karen has a passel of teenage girls in tow, as a trio of criminals gets their just desserts in a truly literal sense.
Ruthann Jagge’s The Piebird introduces us to Flora Corolla, so desperate to bring pride to her family’s bakery that she’ll accept guidance from the most unlikely and untrustworthy source.
Next Best Baker by Jeff Strand is perversely hilarious. A man after my own heart, I feel like he watches cooking and baking competitions the same way I do, imagining the worst conceivable surprise ingredients being tossed into the mix and laughing as he envisions it all playing out. I assure you that this is no baking competition for the faint of heart.
Aron Beauregard hits us with A Muffin In The Oven, and he hits us hard. The announcement of a friend’s pregnancy–an event that should be full of warmth and cheer–turns sour and horrific as the facts surrounding the paternity come to light.
Carver Pike’s Blueberry Hill is a tale of bullying, teenage cruelty, revenge, and witchcraft. This one is, without a doubt, the hardest story to read, in my opinion. Hillary Hightower doesn’t deserve any of the terrible things that happen to her, but when seeking retribution, one should probably be careful what they wish for. This story has the “dig two graves” adage on full display.
They Are Always Watching is equal parts sad and terrifying, and Patrick C. Harrison, III leans into both qualities heavily. A daughter struggling with her mother’s declining mental capacity is forced to face the truth of what seems like little more than her debilitated mother’s fevered mind.
My Lil’ Cupcake by Lee Franklin floats us through a dysfunctional marriage and one woman’s desire to find freedom from the domineering, cruel, and awful men in her life. The method by which Lindsey seeks her emancipation is something visceral to behold.
Kenzie Jennings provides us with the worst Florida has to offer in Just A Local Thing. A family on vacation finds themselves at the mercy of the perverse whims of a seemingly prescient baker.
Of Dough And Cinnamon brings us heartbreak and satisfying vengeance as Daniel Volpe tells the story of a widower who experiences one more loss than he can handle.
Rowland Bercy Jr. introduces us to the most unlikely cryptid in Homegrown Comeuppance. A fierce rivalry between two bakers reaches a horrific conclusion that just might spell the end for not only those involved but also the innocent residents of a Brazilian town.
Candace Nola showcases not only her editorial skills with Baker’s Dozen but her skill as a writer as well. County Contest provides us with a glimpse of a small business still struggling to recapture the success once known when Horace’s wife was still around. As a new librarian arrives in town, it seems like her sole purpose in life is to tear down everyone around her with sarcasm and bitterness. But maybe that bitterness is just what the recipe calls for when it’s time to unveil a new flavor.
Death, And A Donut by Michael Ennenbach is a most peculiar yet beautiful love story, built on a substrate of random, wanton bloodshed and disorder. A cacophony of disaster paves the way through this narrative, leading us to a surprisingly touching conclusion.
You can’t go wrong with a single piece in this collection, and I recommend dedicating some time to taking in the fantastic illustrations that accompany the text. This whole volume was painstakingly assembled with obvious love and care like the best recipes always are.

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