Freaky (2020)

Freaky succeeds in being the perfect response to the Wheel of Fortune before-and-after puzzle, “Freaky Friday the 13th.” My personal favorite before-and-after remains my brother’s “Zyklon Bea Arthur,” but that would make for a far less interesting movie when you think about it. That’s neither here nor there.
If you enjoyed Happy Death Day, The Hunt, and other Blumhouse productions with a horror/comedy bent…there’s nothing disappointing about this one. A mousy, grieving high-school girl swaps bodies with a notorious local serial killer after he fails to kill her with an ancient sacrificial dagger. I mean, what could be wrong about that?
In a strange sense, it’s a coming-of-age tale about mourning and family…only with self-aware stereotypes and meta commentary on the usual slasher tropes. There are some interesting and gruesome kills throughout the movie, beginning with a play on my favorite kill from a slasher movie prior to this one, which was the wine bottle scene from Sorority Row (the 2009 remake of 1982’s House On Sorority Row).
Vince Vaugh was spectacular as both the killer and as the high-school girl trapped in an adult man’s body. Seriously, it’s the best performance I’ve seen from him. Kathryn Newton was pretty impressive as well, transitioning from being a virtually invisible teenage girl to being a bloodthirsty murderer in a young woman’s body.
As much as I enjoyed this one, I will say that it doesn’t tread any new ground and there’s nothing particularly surprising about it (beyond the quality of the performances and the graphic nature of some of the kills). It’s a fun movie for the sake of being a fun movie.