Fucking Scumbags Burn In Hell: Book 7 by Lewis Kelly

Hell Week introduces us to Tailor, President of the Sigma House fraternity, just as he’s about to cross a line from which he’ll never come back. Let’s face it, though, Tailor was an irredeemable and monumental piece of shit long before he ever approached the line he’s careening toward. You’re sure to feel just like I do, thinking Hoop can’t show up fast enough.
Tailor and his inner circle of fraternity brothers pride themselves on degrading women in every conceivable way, but they appear to especially enjoy drugging and raping impressionable and insecure younger girls from their college. Alone with Nicole/Melanie/Pig Dolphin as she’s rapidly losing consciousness, Tailor discovers that taking everything up a notch might be the only way he’ll be able to get off this time. Already a monster, he doesn’t flinch as he passes the point of no return, in the process, destroying multiple additional lives with casual cruelty and disregard for anything approaching humanity.
This kid should have been on Hoop’s radar for a long time before the events of Hell Week. Spoiled, narcissistic, cold-blooded, and lazy, the best that can be said about Tailor is that he’s apparently handsome and that he comes from wealth. Thankfully, with Hoop’s intervention, Tailor manages to do something good, unintentionally taking out the trash as he receives his comeuppance.
Lewis Kelly is a new name for me, as I’m sure he is for many of you, but his is a name you’ll want to be watching for. I do not doubt that we’ll be seeing a lot of good material coming from this up-and-coming writer. Hell Week is a worthy addition to the Hoopiverse, and Lewis is a worthy author to have been included.

This title is available September 15th, 2021 on http://www.godless.com or through the Godless app, available on your preferred mobile platform. The link is below:

Sawbones by Ash Ericmore

Sawbones introduces the reader to Edward Smalls, one of seven siblings in the Smalls family, and it is one hell of an introduction.
A meeting with Alfred Leonard, a drug dealer and the criminal equivalent of middle-management, takes an unexpected turn as Edward is asked if he’d be willing to supply a snuff film for some new European business partners. No stranger to killing, Edward agrees to the strange proposition.. He already makes a living by supplying harvested organs on the black market, earning him the nickname Sawbones. How hard can it be to make a video incorporating sex and death?
Locating a suitable victim and getting her back to his dungeon workspace turns out to be the simple part. Everything else seems to be working against him, from the oppressive heat to unwanted visitors. Edward learns the hard way that film sets are a perpetual state of barely organized chaos, and that the people behind-the-scenes bankrolling the production often seem not to share the same creative vision as the director.
Edward Smalls is a strangely likeable character, considering how he earns his living. Ericmore successfully fleshes out a human monster who seems uncomfortably relatable and awkwardly amusing. It’ll be interesting to meet the other members of the Smalls family as the series continues. If this first installment is a solid basis of what to expect, there’s no way anyone could come out of this series feeling disappointed. The story reads like the novelization of a film written as a collaboration between Tarantino, Ritchie, and Roth.

You can obtain Sawbones, as well as the subsequent two volumes of the series right now, by going to http://www.godless.com or by downloading the Godless app. The link is below:

Sawbones (The Smalls Family I) by Ash Ericmore

Horrorgasm by Nikki Noir

Molly Massacre’s HorrorGasm page on FANdom is successfully drawing subscribers with her horror-themed camgirl antics. She’s generating income at a rate most girls on FANdom would probably kill for, but everything is far from perfect. Molly wants out of the life she’s living with her narcissistic, domineering, drug-dealing boyfriend, Chad.
With the assistance of her best friend (and business manager), Selena, Molly has a plan to escape from her boyfriend and to start a new life. For her final HorrorGasm performance, with a Texas Chainsaw Massacre-inspired vibrator, Molly raffles off the chance to go on a date with her, and the plan seems to be wildly successful.
Unfortunately, Chad’s increasingly erratic behavior and the white knight fantasy of a HorrorGasm subscriber, Dylan, send the plan off the rails. Will Molly Massacre’s HorrorGasm ultimately lead to true horror? You’ll have to read the story to find out.
Unlike a lot of Noir’s fiction I’ve read, there is no supernatural/paranormal element to this tale. Horrorgasm is a straightforward thriller with a heavy erotic component. Don’t dismiss this story for the lack of surreal horror. Nikki Noir is no one-trick pony, and she’ll have you speeding through the pages, desperate to see where she leads you.

Horrorgasm is a Godless Exclusive title and you can obtain it for yourself at http://www.godless.com or by downloading the Godless app on your smartphone, tablet, or Kindle device. The link is below:

Knuckle Supper: Ultimate Gutter Fix Edition by Drew Stepek

If like me, of the two major vampire films released in 1987, you prefer the Kathryn Bigelow directed Near Dark over Joel Schumacher’s The Lost Boys, Knuckle Supper is the vampire novel for you. The Lost Boys may have had the audience and the soundtrack, but Near Dark had the brutality, originality, and grittiness that befitted the monsters at the heart of the story. Knuckle Supper carries that tradition into 21st-century horror literature.
Stepek writes vampires the way one might expect from someone who wants to take the monsters back from the L. J. Smiths and Stephenie Meyers of the world, restoring them to the darkness and underground where they belong. It’s difficult for me to describe what he’s put together in these pages that race past the reader at a rapid-fire pace. Knuckle Supper is, in effect, Anne Rice meets Irvine Welsh, Near Dark meets Requiem for a Dream, and a little bit The Warriors meets 30 Days of Night. If that doesn’t intrigue you, I honestly don’t know how else I can try to describe it without just reading the book to you, and we know I’m not going to do that.
We meet RJ and Dez as they’re preparing to murder a pimp in the home they’re squatting in, a steadily depreciating house once belonging to a former child star turned heroin addict.
RJ, Dez, and the rest of the Knucklers aren’t your typical Hollywood vampires, even though they live in Los Angeles. Blood isn’t their only addiction. They need heroin to survive. Unfortunately, it’s not as simple as spiking a needle into their veins to get their fix. They need blood to carry the high into their starving, desiccated internal organs. Enter the pimp they’re about to have for supper.
The (almost) 13-year-old prostitute carelessly tossed into the bathroom is all but forgotten as RJ and Dez make a mess of the place in their desperate chase for a fix. Against his better judgment, and displaying more humanity than his peers, RJ decides not to kill the young girl. This act of uncharacteristic decency is how Bait becomes part of his family. It’s also how everything begins to spiral out of control, ultimately bringing RJ face-to-face with The Cloth, an organization he’d dismissed as nothing but a vampire’s boogeyman, and the painful truth at the core of what RJ actually is.
Drew Stepek introduces readers to a Los Angeles populated by a different sort of gang, consisting of a wholly different kind of gangster from what we’ve become familiar with from popular culture. The city is divided up between tenuously allied gangs of vampires, each feeding and dealing on their own turf. Brutal, far from immortal, and impulsive, Stepek’s vampires are prone to massive errors in judgment, and it’s only a matter of time before the flimsy alliances fracture and violence ensues.
There’s more to this story than drug addiction and graphic violence, though there’s plenty of both. There’s also a depth and character to this story that underscores the superficial, splattery elements of the narrative.

You can obtain a copy of Knuckle Supper as well as the sequel, Knuckle Balled, by going to http://www.godless.com or by downloading the Godless app to your preferred mobile device: The link to this title on both Godless and Amazon are below:

Brand New Cherry Flavor by Todd Grimson, narrated by Marguerite Gavin

Brand New Cherry Flavor is a book packed with originality and uniqueness. There’s a potential within this story, a barely suppressed tension and horror seething just below the surface, that sadly never quite reaches fruition. My comment on wasted potential is not to suggest I didn’t enjoy the story because it was surprisingly enjoyable. I feel almost as though the lack of gratification or fulfillment was an intentional stroke by the author. Consider it a page from the Bret Easton Ellis playbook, metafictional and intentionally subverting the expectation of the readers.
Lisa Nova is, for the most part, not a likable character. Throughout the narrative, she fluctuates between appearing vapid and slyly witty while perpetually coming across as shallow. Being unlikeable does not, however, make her unsympathetic. Witnessing as her life spins out of control with an increasing cost in collateral damage, it would be challenging to dismiss her plight.
We join the tale just as Lisa’s passed over for a promised role as the Assistant Director on a major film project. This position had been promised to her by Lou Burke, the man she’d been having an affair with up until that point. As a concession, her now-former lover sends her to meet with people who will capitalize on her looks by paying her to star in a pornography adjacent film. Lou Burke, or as Lisa repeatedly refers to him, “Lou Greenwood, Lou Adolph, Lou Burke,” is a class act. He deserves to have a fork stabbed into his leg.
Incensed, and seeking revenge, Lisa goes to her ex-boyfriend, Code, to inquire about a hitman she’d heard about through him. This leads her to Boro, and the rest of the story evolves in its phantasmagoric way from that interaction.
Traveling from Hollywood to Brazil, from Brazil to New York, and from New York back to Hollywood, Lisa discovers that Boro has not only taken the job of destroying Lou Burke–and his family–but is also providing Lisa with the power to shape the world around her in ways many people could only dream of.
Psychic tattoos, a mythological white jaguar, zombies (of the voodoo variety), drugs of all flavors and varieties, magical filmmaking, mirrors that show the past, and a garden of human limbs are only some of the more bizarre elements of this story.
Though I enjoyed this book a good deal less than I would have liked, I can certainly understand the appeal it has for other readers/listeners.
The audiobook narration supplied by Marguerite Gavin made the story more enjoyable than it might have been without such a competent narrator. She certainly managed to fully convey the character of Lisa Nova better than I think many narrators could.

I Eat Babies by Gerhard Jason Geick

Continuing a tradition started by none other than the author of Gulliver’s Travels, Jonathan Swift, Geick presents not only a strong defense for the consumption of babies, but an entertaining glimpse into the future.
With food scarcity a real concern, what better solution than to devour babies and unwanted children?
As presented in A Modest Proposal, the argument was that it serves a twofold solution, removal of a hungry mouth from circulation and a suitable meal provided for those who might otherwise be starving. I Eat Babies provides us with a refreshed and reinvigorated baby eating platform for the modern age.
Using the drabble form, Geick succeeds in packing a hugely amusing–albeit perverse–collection of themed snippets of story into small packages. The important thing is that he does it well.
Personally, I have to say this is a successful teaser for his upcoming collection of drabbles, double drabbles, and pentadrabbles.
While I understand that this medium might not be for everyone, this collection has been made available for potential readers at no cost, so there’s no reason not to give it a chance. I know I will be picking up the new collection when it becomes available.
Maybe we can enjoy the new collection together, over a main course of baby stew?

This collection is available from http://www.godless.com or through the Godless app on your preferred mobile platform. The link is below:

I Eat Babies (Dark Drabbles Vol. 1.5) by Gerhard Jason Geick

Fish Pie Face Fuck! by Sean Hawker

Jon and Spence live alone with what’s left of their mother. Alone, that is, until Jon brings Wendy home. Wendy, steadily decaying and host to insects and parasites of all kinds since Jon left her rotting in the woods until he couldn’t restrain himself from bringing his new lover home.
That is where the story begins, but it’s nowhere near the end.
Grotesque, violent, sexually explicit, and perversely hilarious, Sean Hawker introduces us to the world of The Cotswold Muff Mangler and his mentally deficient sibling. More than that, he introduces us to a form of afterlife that is utterly, horrifically awful. Think Return of the Living Dead, where the deceased remain aware and capable of receiving gradually diminished sensory input as they rot. Now imagine being at the mercy of a dude who takes you back to a home that resembles a landfill only to have his way with you in every disgusting manner possible. Yeah, it’s sort of chilling to think about it. I recommend not thinking about it if you can avoid doing so.
Thanks to our author, I find myself wanting to attend a Godless Horrors Lit Fest in some seedy dive of a bar/pub in a rundown, needle park region of a city. If there’s a guarantee of Simon McHardy filling an inflatable koala with semen, I think the venue will be packed!
There are no sympathetic characters in this story, but that’s a feature, not a bug. If you’ve enjoyed Hawkman’s other material, you’re sure to love this one. You’ll never look at a Halloween mask fashioned from gorilla foreskin the same way again.

This title is a http://www.godless.com exclusive. You can obtain it for yourself by going to the website or downloading the app on your preferred mobile device. The link is below:

Cucumbers & Comforters by Nikki Noir

Nikki Noir has an exceptional talent for blending supernatural elements with splatterpunk sensibilities. If you haven’t read the Black Planet installments–or the collection of the first four–you are seriously missing out on a writer who is easily one of the best emerging voices of indie horror. If, however, you want to avoid diving into a series, you’re in luck. Nikki has several stand-alone short stories like this fantastic tale.
Jen is still an outsider at school, even after spending a year in the new town where her family moved. One of her only friends is a young boy named Dale, a special boy from an unhappy home. Jen met Dale hanging out near the river, and she began telling him stories. One of those stories Jen shared concerns the Japanese myth of the Kappa. Dale internalized that particular myth and began playacting as a Kappa near the water. But Dale has been missing for a couple of weeks.
Heading home after a party where she’d gotten into an unpleasant verbal exchange with one of the popular girls, Jen is startled and pleased to discover Dale hanging out on one of the rocks near the river. She attempts to take him home, but he resists, insistent on playing a Kappa. Leaving him with the cucumber she’d carried with her–the favorite treat of one of those supernatural creatures–Jen races off to bring attention to Dale’s presence near the river.
From there, Cucumbers & Comforters becomes a barrage of sex, sexual violence, unraveling mysteries, sinister family drama, and myths seemingly come to life. There may be no amount of childlike security found in carrying cucumbers or hiding beneath comforters that will save Jen from the awful repercussions of the events set in motion the night of the party…but you’ll have to read the story to find out for yourself.
If you’re in the mood to read about glowing orbs brutally extracted from human anuses, taboo sexual trysts, and murder, you are in the right place. This is a voyage Nikki Noir is the perfect host to guide you on.

You can obtain your own copy of Cucumbers & Comforters from http://www.godless.com or by downloading the Godless app on the mobile device of your choice. The link is below:

The Doze by Drew Stepek

The Doze takes the unrelenting violence and satisfying splash of gore and viscera from the previous two Godless League installments and runs headlong into a concrete wall with it. Of course, this concrete is the fluid manifestation of Jack Slaughterdozer.
If you’re trying to figure out just what sort of superhero The Doze might be, think a little bit Sandman, a little bit Green Lantern, maybe a touch of Venom, and a whole lot of Hulk–plus just a smidge of Lennie Small, for those who read Of Mice and Men. The Doze can transform himself from an already dangerous man into a giant formed of living concrete, able to transform himself into seemingly anything he can imagine–and his imagination for causing damage is virtually unlimited. When assholes from Construction Mercenary Union Local 222 show up to demolish Slaughterdozer’s home in the landfill on behalf of Globoshame Construction Corporation, all hell breaks loose in the most graphic, over-the-top manner one could imagine. I’m pro-union, but these guys deserve what’s coming to them.
Running counter to the excessive violence and concrete climax, there’s a story of tragedy and pain, with the loss of Slaughterdozer’s family and the painful cost of illiteracy.
Stepek takes readers on a rollercoaster of highs and lows that shouldn’t even be possible within such a short tale, but he guides us masterfully through the loops and whirls, and we reach the end exhausted and fighting back tears.

You can pick up The Doze, as well as the other Godless League titles, by going to http://www.godless.com or by downloading the Godless app on your mobile device. The link is below:

Sweet Tooth by Matthew A. Clarke

If you take a dash of Brave New World, toss in a healthy dose of Bladerunner, and blend it all with a bit of sadism, you’ll end up with Sweet Tooth by Matthew A. Clarke. It’s a short story that overall feels like a transcript for an episode of Black Mirror.
The ultra-wealthy have finally done away with the poor and undesirable, and they’ve replaced those forgotten and discarded people with Hollows. Hollows are manufactured in bulk to perform the menial tasks and services the ruling class deems beneath them.
Candy is such a hollow, designed to be an escort–though not in a sexual sense, as she isn’t equipped with the necessary parts.
In tribute to the banality of all existence, we first discover Candy is becoming aware beyond her programming because she’s unhappy about someone else deciding how her hair should look. Other Candy models are disappearing, and there appears to be a man involved in those disappearances. Our Candy finds herself in the predicament of needing to unravel the mystery behind the missing hollows while maintaining her facade of going along with her base programming.
In a sense, this is a truly depressing, dystopian vision of a possible future, extrapolating on the income inequality and class warfare we already experience. More than that, it showcases that no amount of weeding out undesirables based on social status will erase the sort of people who become serial killers today. Those types of people will always find a new group of “less dead” as criminologist Steven Egger refers to the typical victims of serial murderers. Clarke captures that grim reality in this story.
Is there a happy ending?
Is such a thing even possible in a world like that?
You’ll have to read the damn story for yourself to find out.

Sweet Tooth is a Godless exclusive title available at http://www.godless.com or by downloading the Godless app on the mobile device you utilize for reading digital texts. The link for the story is below: