Nang Tani by Lee Franklin

Shane is a fighter, and he might be a big deal in his home of Australia, but he just experienced a humiliating defeat in Thailand. Bitter about his loss yet emboldened by a sense of entitlement, he discovers the perfect tattoo to commemorate his twenty-first birthday. From the wall of the tattoo parlor, Shane selects an image of the beautiful deity, Nang Tani. He demands that the artist perform the work against the old monk’s reservations, and ultimately gets more than he asked for. Unfortunately for Shane, one does not select her; she selects them.
Shane and his best friend, Paul, are terrible young men. Racist, homophobic, womanizing, and prone to violence, the curse couldn’t have befallen a more suitable victim than Shane.
Lee Franklin doesn’t skimp on the violence, brutality, and gore in Nang Tani. Nor does she refrain from bringing the characters to life by pulling no punches concerning their attitudes toward–and treatment of–the Thai locals and everyone else around them. This refusal to self-censor certainly helps Franklin to impart a great deal more authenticity to the interactions than might otherwise have been possible.
There’s something deeply satisfying about seeing these two Australians suffering, but that’s only the beginning because Nang Tani has plans for Shane, and he’ll fulfill them whether he likes it or not.

You can obtain this for yourself by going to http://www.godless.com or by downloading the Godless app to your mobile device of choice. The link is below:

Alien: River of Pain, An Audio Drama Adapted from the Novel by Christopher Golden

I wasn’t entirely sure what to expect when I picked up Audible’s Alien: River of Pain audio drama. It seemed like an interesting alternative to the usual audiobook material I listen to, so I wanted to give it a shot. I have a massive collection of old 1940s, 50s, and 60s radio dramas in digital format, consisting of radio programs like The Weird Circle. This Audible Original was not entirely dissimilar to those experiences.
In place of the narrative, an ensemble cast performed the dialogue while digital Foley was used to provide the drama with background noise and contextual sounds that enhanced the three-dimensionality of the overall experience. Though this audio drama was missing the writing style of Christopher Golden’s actual novel, it did capture his written dialogue quite nicely. Impressively, even without the story elements from Golden, it wasn’t at all difficult to follow the events as they were taking place.
River of Pain provides us with details of the events taking place on LV-426 from the point the earliest terraforming efforts were underway. This fills us in up to the loss of contact that led to Burke enlisting Ripley to join the Colonial Marines as they made their way to the fateful–and fatal–encounter with the xenomorphs infesting Hadley’s Hope. We benefit from getting to know characters we barely met in Aliens being fleshed out, in addition to meeting characters we’d never known to exist. Additionally, we catch a glimpse of the overall decency of Gorman before his final moments of life during the events of Aliens.
The experiences on LV-426 are placed in the appropriate location in the timeline with relatively frequent snapshots of the events we’re familiar with from the movie. We’re treated to events we know well, from Ripley’s discovery by the salvage crew to her waking up from nightmares in the hospital, from her demotion to the moment Burke requests that she join the expedition to the colony.
All things considered, I feel like this drama might have been a more immersive experience than a standard audiobook, but it’s not something I’d consider a substitute for the book itself. There’s certainly plenty missing in erasing the narrative of the story, especially when written by someone as talented as Christopher Golden, but this does have its unique value.
There were too many exceptionally talented individuals lending their voices to this audio drama, so I’ll focus on the performances that stand out the most. The dialogue from Ripley was so amazing that I initially assumed they’d simply pulled it straight from the movie. I occasionally felt the same where Newt’s dialogue was concerned. Captain Brackett’s dialogue was performed spectacularly well by the voice actor involved in bringing him to life.

The Crimes & Passions of John Stabberger: Volume 3 The Stabshank Redemption by John Baltisberger

John Stabberger is back, and of course, he’s back with a vengeance.
That’s pretty much his thing.
After thoroughly laying waste to a former punk bar turned neo-Nazi cesspool, Stabberger patiently waits for the police to arrive on the scene. Sure, he could break into prison just as effectively as he could break out of one, but when there’s a chance to slaughter a bar full of neo-Nazis along the way, why wouldn’t he choose that path?
Why does he want to get into a prison, you might ask?
I’ll answer your question with a question.
Why haven’t you been paying attention or reading the previous Godless League titles?
If you’d read Antiva, the second volume in the Stabberger saga, you’d know that his next big target is presumably safe and sound behind bars where Stabberger can’t reach him, or so he thinks.
The Aryan Nation better watch out when John Stabberger joins them on the cell block because he means business, and he has no pity.
Baltisberger fills the pages with so much satisfying Nazi-killing action that it’s a veritable joyride for the reader. Vicarious satisfaction through fiction is probably safer and less legally problematic than going out to slaughter Nazis and alt-right scumbags for ourselves, but damn it if John Baltisberger doesn’t cause a bit of an itch for a bit of the old ultraviolence in his readers.
We have the pleasure of learning a bit more about Stabberger’s history in this installment and Baltisberger sets the stage for the subsequent volume in such a way that it’ll have readers chomping at the bit and wishing it was available now.

The third volume in the saga of John Stabberger was released as the first drop of the new year through http://www.godless.com and you can pick it up for yourself by going to the website or by downloading the Godless app to your mobile device of choice. The link is below:

Platinum Blondes: INXS by Todd Love

INXS picks up right where the first Platinum Blondes concluded, though we’re first introduced to Tony and provided with awful glimpses into a childhood from which no one would walk away undamaged. As much sympathy as we might have for the young boy, he quickly erodes that goodwill as we get to know him further, and especially the man he’s become. It similarly doesn’t take long to discover that Tony is no stranger to Tina, the protagonist we became achingly familiar with during the first installment.
The tangled web of connections and intrigue doesn’t end there, and the reader’s exposed to new revelations that paint everything we’ve read before in a different light. Previous sentiments have to be adjusted as new facts become available and more details become clear.
We also learn more about Gwen and Patricia Tobin, the Platinum Blondes orchestrating everything and manipulating the protagonists to achieve their sinister goals. Unfortunately, the more we learn about the two women operating The Platinum Blondes Agency, the more questionable everything becomes, including their judgment.
Todd Love answers questions we had from the first story in this series while providing us with all new questions to be answered in future installments. He leaves us wanting for more but satisfied for the time being.
Violence batters the reader from almost every page, and the story is positively soaked with blood, semen, and other fluids. Monsters elicit sympathy as we witness their development, and those who initially seemed like victims begin to appear more like monsters themselves. In all of this, Love reminds us to leave our preconceptions at the door when we enter The Platinum Blonde Agency.

You can obtain a copy of this story for yourself by going to http://www.godless.com or by downloading the Godless app to your preferred mobile device. The link is below:

Platinum Blondes by Todd Love

Tina lost everything in one careless, stupid action of a drunk driver. Her husband, her two children, and their chocolate lab all lost their lives in a spectacularly awful fashion. As if she didn’t have enough indignity to suffer through with all of that, she also has a fat, leering pastor to deal with when setting up the funeral arrangements.
When the stranger with platinum blonde hair approaches Tina at the funeral, offering closure and peace, she takes the nondescript business card and forgets about it for a little while. Closure, in the world of Todd Love’s Platinum Blondes, has a way of hammering its way into one’s imagination and searing itself in the reader’s memory.
Love dedicates a significant portion of this narrative to the cruel task of ripping the reader’s heart out and stomping on it as if it were an offending cockroach scurrying across his kitchen floor. He also spends a fair amount of time shoring up our disgust for the drunk driver who stole everything from Tina with his carelessness and disgusting behavior. Then, when we think he’s done screwing with us, Todd Love delivers a twist that Holmes wouldn’t have seen coming.
This first installment of Love’s Platinum Blondes series of shorts is at turns gripping, heart-wrenching, perversely satisfying, and shocking. Platinum Blondes is a short story the reader wishes to continue reading beyond the final sentence, and thankfully there’s more.

This short story is available through http://www.godless.com and you can obtain it for yourself by going to the website or by downloading the Godless app to your mobile device of choice. The link is below:

The Night Stockers by Kristopher Triana and Ryan Harding

It’s Clerks meets Assault On Precinct 13.
It’s Intruder meets The Warriors.
It’s Dawn of the Dead meets Rosemary’s Baby.
It’s none of those things because it’s altogether too original to be classified that easily.
I’m talking about The Night Stockers by Triana and Harding, a true masterpiece of absurdity and gore.
Freshway is struggling now that Devil’s Food has opened up across the road, stealing customers as well as some of the staff. In a desperate, albeit transparently futile, attempt to combat the erosion of the bottom line, Todd demands that most of this Freshway staff work an unexpected overnight shift for deep cleaning and stocking. A miserable night is soon to become altogether worse as the Freshway staff learns that competition between grocery stores can not only be fierce, it can be deadly.
It stands to reason something like that would have to happen when the Devil’s Food chain is owned and operated by Satan. Fueled by a desire to live up to the expectation of his dark lord–and his petty impulse to seek vengeance against the Freshway manager who helped drive him to the dark embrace of Devil’s Food–Desmond decides he and his staff will be destroying the competition. Of course, even with Satan on his side, Desmond and his crew of miscreants might have a bit more on their plate than he could anticipate.
Equal parts an homage to death metal of the late 80s and early 90s and the early days of splatterpunk horror, the authors create a world that feels entirely real so that they can do the most unreal and unspeakable things to the people populating that world. Drawing from their own experiences working in retail during that period as well as their lasting appreciation for the music that finds itself repeatedly referenced throughout the narrative, Triana and Harding successfully bring the world of Freshway to life–for the express purpose of converting it into a funhouse of death and dismemberment.
Filled to the brim with graphic sex and violence, often in tandem, The Night Stockers becomes a barrage of viscera and perverse humor that remains constant from the first to the final page.

A Contest For the Ages

Because my blog receives traffic that doesn’t necessarily overlap with my other social media accounts, I would be remiss if I didn’t share this here.
Because I’m an absurd human being, I’ve decided that I want to reward readers/reviewers of my December 2021 short story, When You’re Here, You’re Fatalities, available exclusively through http://www.godless.com
You’ll want to pay attention to this!

Sadly, this is only valid for individuals located in the United States. If I could extend this to other countries, I would gladly do so, but the logistics involved are just too much of an issue.

Initially, the plan was that if I could sell 250,000 copies of the story, I would randomly select five winners from those who have reviewed the title at Godless. Those five individuals would need to provide me with their contact information–including the physical address–as well as a time frame that would work best for them. I would then plan a road trip with my girlfriend (and possibly my teenage daughter) to travel to that reviewer’s location. We could spend the day hanging out, doing touristy things, or whatever. To conclude the evening, I would take the winner and their immediate family (or significant other and whatnot) to dinner at the nearest Olive Garden location.
I have modified the plan slightly since the original goal is altogether ludicrous. Of course, the adjusted step goals are also ridiculous, but you shouldn’t expect anything different from me.
Upon selling 100,000 copies of the story through Godless, I will select two winners who have posted reviews of the story, to Godless and/or Goodreads.
After another 100,000 sales, I will select another two winners from the remaining reviewers who had not won.
And, if I happen to sell another 50,000 copies of When You’re Here, You’re Fatalities after that, I will select one more lucky winner from those who have not already won.
Assuming every buyer leaves a review, that’s a 1 in 50,000 chance of winning a family dinner at Olive Garden with a horror author who wrote a short story that takes place in a fictionalized version of an Olive Garden restaurant. For only fifty cents to get your name in the drawing, it’s probably a better deal than many raffles and drawings in which one might participate. But there’s always the fact that many people still won’t leave reviews, and that improves the odds in your favor.

The title can be obtained by going to the following link at Godless:

You would also post your review there.

Additionally, I will accept reviews posted to Goodreads at the following location:

https://www.goodreads.com/book/show/59777373-when-you-re-here-you-re-fatalities

You have nothing to lose beyond fifty cents and a little bit of time.

Spread the word far and wide!

The sooner we reach those sales numbers, the sooner you’ll have a chance to sit down for dinner with me.

Manic Christmas by Lindsay Crook

For “Snowflake,” there’s perhaps no greater torture than performing as a Christmas elf at the mall. Understandably, she’d feel that way, from the pedophile Santa to the grimy, screaming children. It doesn’t get much worse than that. Except for maybe being subjected to a hot box apartment with no air conditioning, a bare trickle of water pressure, and an elderly neighbor who listens to her television far too loud for anyone not hard of hearing. She’s got problems, but it’s about to get more interesting. She’s about to make them your problems instead.
With irreverence and humor, Lindsay Crook assaults the hyper-commercialized Christmas holiday. She also sets her sights on inconsiderate neighbors, annoying coworkers, perverts, and Karens through the proxy of her protagonist, exhibiting knee-jerk reactions of violence that every reader is sure to relate to.
How much chaos can one Christmas elf cause in the week before Christmas? You might be surprised.
As with the previous Manic story, Crook manages to hit on topics from misogyny to miserable workplace conditions, while also attacking the seeming ubiquitousness of perverse male behavior, from the security guard to the mall Santa. Sure, it’s a fun romp as well, but there’s a whole lot of uncomfortable truth in this story as well.

This story was released as part of the AntiChristmas event at http://www.godless.com for December of 2021. You can pick it up for yourself by going to the website or by downloading the app to your mobile device. The link is below:

Manic by Lindsay Crook

Is there a more horrible occupational combination of thankless and stressful than working in fast food? Probably not. For the protagonist of Lindsay Crook’s Manic, life at Bill’s Burger Barn is one endless flow of disrespectful customers, sleazy bosses, and revolting working conditions. It’s enough to drive anyone mad. But maybe, if her personal life weren’t also in shambles, she could hold herself together past Wednesday. That’s a big maybe, though.
It’s going to be a long week, but she’s going to make it everyone else’s problem if she has her way. One can hardly blame her when the universe seems to set things up just right.
Crook is making poverty and impulse control issues sexy again.
Wait, were those things ever sexy in the first place?
I’m sure they were.
I’m going to let it ride. Crook is bringing sexy back in a big way!
Lindsay Crook fills these few pages with plenty of violence, biological warfare in the form of toxic food treatment, and even more violence. There’s more than that, though. At the core, this is a story that showcases how unutterably awful life can be for women because, as much a caricature as Manic might be, it’s probably not far off from the average week for altogether too many women. The world might be a better place if those women finally had enough, just like this protagonist did. Of course, it would be a better place if people just behaved better in the first place, but that might be asking a bit too much. Crook also manages to capture the stress and hopelessness that goes hand-in-hand with poverty-level existence and working demeaning, demoralizing jobs, only to barely make ends meet.

You can pick up a copy of Manic by going to http://www.godless.com or by downloading the Godless app to your mobile device of choice. The link is below:

Drops of Insanity by Jeff Oliver

Jeff Oliver’s Drops of Insanity is a solid collection of poetry consisting primarily of short poems dealing with a variety of topics. Though largely focused on musings associated with identity and mental illness while navigating society and relationships with those factors involved, there are a great many poems that deviate into assorted horror-themed allegories and expressions of pain and suffering. It’s worth taking one’s time, reflecting on the word choice and symbolism implicit in many of the verses, especially since the vast majority are no more than ten lines in length.
It’s when we reach the longer form poem of “Her Soul To Keep” that the collection stands out at its strongest. A narrative expressed through the verse; this particular inclusion is a fascinating transition from the previous material collected in Drops of Insanity. At the core, it’s a breakdown of family, disappointment, revenge, and choices with consequences we’d not anticipated. It’s also a poem about demonic possession, murder, and the dissolution of the soul in the searing flames of Hell. What could be wrong with that?
While it may feel like this collection suffers from some repetition where content is concerned, I’m inclined to believe this was an intentional flourish from Oliver. Occasionally this repetition appears in the form of epimone, but more often it appears to be a method of creating a sort of cyclic flow to the material contained within Drops of Insanity. Hell is repetition, as we learned from the Stephen King screenplay, Storm of the Century, and mental illness is an exceptionally personal sort of Hell. Looking at it that way, it becomes difficult to imagine Oliver wasn’t attempting to immerse the reader in the overarching theme of this collection of poetry.