Shane is a fighter, and he might be a big deal in his home of Australia, but he just experienced a humiliating defeat in Thailand. Bitter about his loss yet emboldened by a sense of entitlement, he discovers the perfect tattoo to commemorate his twenty-first birthday. From the wall of the tattoo parlor, Shane selects an image of the beautiful deity, Nang Tani. He demands that the artist perform the work against the old monk’s reservations, and ultimately gets more than he asked for. Unfortunately for Shane, one does not select her; she selects them.
Shane and his best friend, Paul, are terrible young men. Racist, homophobic, womanizing, and prone to violence, the curse couldn’t have befallen a more suitable victim than Shane.
Lee Franklin doesn’t skimp on the violence, brutality, and gore in Nang Tani. Nor does she refrain from bringing the characters to life by pulling no punches concerning their attitudes toward–and treatment of–the Thai locals and everyone else around them. This refusal to self-censor certainly helps Franklin to impart a great deal more authenticity to the interactions than might otherwise have been possible.
There’s something deeply satisfying about seeing these two Australians suffering, but that’s only the beginning because Nang Tani has plans for Shane, and he’ll fulfill them whether he likes it or not.

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