The Beasts of Vissaria County is not what you expect. It doesn’t matter what your expectations might be as you approach this narrative; I can guarantee that you’ll probably find yourself shocked and surprised. The nature of Douglas Ford’s book is as ephemeral and challenging to nail down as the narrative itself, but you’ll find yourself propelled along as if you were in a dream, with Ford as the feverish and abstract architect.
Maggie McKenzie escapes the nightmare of her marriage and, along with her son, seeks a transient sort of safety and solace with her disagreeable father in the backwoods of Florida. She’s a damaged woman–bitter and unhappy–but stronger than she knows. Cursed with an unquenchable curiosity, she’ll soon find herself at the heart of a mystery that becomes more convoluted the deeper she digs.
Any sense of normalcy gets disrupted when she encounters her elusive and peculiar neighbor, WD. The lines that separate reality from fiction, dreams from waking, and myth from fact become increasingly blurred as the story continues from there.
While I wasn’t a big fan of Jack Williamson’s Darker Than You Think, I can’t help but feel that Ford has crafted a sort of spiritual successor to that 1940s novel. The Beasts of Vissaria County takes that same dreamlike, blurry quality and improves upon it in almost every way. In its strange and surreal storytelling, we capture hints and fleeting glimpses of beasts that may or may not be there–or may not be fully there.
The narration provided by Jenn Lee fully brought Maggie to life, embodying her indomitable spirit and the blend of skepticism and curiosity that drives her along the meandering paths she follows.
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